Active experiencing in postdramatic performance : affective memory and quarantine theatre’s wallflower
(2018)
Journal Article
Crossley, T. (2018). Active experiencing in postdramatic performance : affective memory and quarantine theatre’s wallflower. New Theatre Quarterly, 34(2), 145-159. https://doi.org/10.1017/S0266464X18000052
Postdramatic approaches to performance and Stanislavsky’s methodology seemingly occupy divergent performance traditions. Nonetheless, both traditions often require performers to mine their own lives (albeit to different ends) and operate in an experi... Read More about Active experiencing in postdramatic performance : affective memory and quarantine theatre’s wallflower.