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All Outputs (4)

Exploring the application of practice-based research on affective cinema to the teaching of creative cinematographic techniques within UK higher education (2021)
Journal Article
Prokopic, P. (2021). Exploring the application of practice-based research on affective cinema to the teaching of creative cinematographic techniques within UK higher education. Film Education Journal, 4(2), 170-183. https://doi.org/10.14324/fej.04.2.06

This article outlines an exploratory approach to the delivery of film practice education, as developed and tested with a second-year undergraduate module in cinematography. Students were provided with two existing creative sound pieces composed by a... Read More about Exploring the application of practice-based research on affective cinema to the teaching of creative cinematographic techniques within UK higher education.

Chance semiotics : the value and application of contingency in cinema art practice (2021)
Journal Article
Prokopic, P. (2021). Chance semiotics : the value and application of contingency in cinema art practice. Avanca - cinema (Em linha), 85-91. https://doi.org/10.37390/avancacinema.2021.a216

As this paper argues, chance is the key defining
aspect of film, distinguishing it from other forms of
art and communication. This is because film has
the ability to capture a direct, mechanical imprint of
the unpredictable movement of reality as... Read More about Chance semiotics : the value and application of contingency in cinema art practice.

‘I’m Not There Anymore’ : film performance affects and the loosening of narrative (2021)
Journal Article
Prokopic, P. (2021). ‘I’m Not There Anymore’ : film performance affects and the loosening of narrative. Open Screens, 4(1), 7. https://doi.org/10.16995/os.38

The film emerged from a wider, AHRC-funded practice-as-research PhD entitled Affective Cinema, which experiments with cinematographic and directorial techniques, and methods of working with performers, in order to generate film structures that disrup... Read More about ‘I’m Not There Anymore’ : film performance affects and the loosening of narrative.