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All Outputs (18)

Dancing the Blues: An interdisciplinary collaboration between artists and therapists (2023)
Journal Article
Thurston, S., Griffin, J., Davismoon, S., Omylinska-Thurston, J., & Karkou, V. (2023). Dancing the Blues: An interdisciplinary collaboration between artists and therapists. Journal of Applied Arts and Health, 14(2), 159-174. https://doi.org/10.1386/jaah_00107_1

Creative practice differs widely across the contexts of artistic performance and therapy. In this article the authors describe a novel example of how the otherwise separate fields of choreographic practices and dance movement psychotherapy (DMP) have... Read More about Dancing the Blues: An interdisciplinary collaboration between artists and therapists.

Symbiotic synergies : adaptive framework for polydisciplinary collaboration in performance practice (2019)
Thesis
Moraitis, E. (in press). Symbiotic synergies : adaptive framework for polydisciplinary collaboration in performance practice. (Thesis). University of Salford

What are the implications of collaboration between practitioners of distinct creative disciplines, and what approaches can enhance such engagements? This inquiry is investigated through Practice Research with project-based and iterative methodology a... Read More about Symbiotic synergies : adaptive framework for polydisciplinary collaboration in performance practice.

God's own caught in no man's land (2016)
Other
Davismoon, S. (2016). God's own caught in no man's land. [Score]

An aural memorial, a contemporary oratorio, for the fallen of the Battle of the Somme. With special reference to the tragic plight of the Salford Pals.

Derives (2015)
Other
Davismoon, S. (2015). Derives. [Score]

A work composed for Piano Duo marking the 90th birthday of Pierre Boulez. The work is a computer assisted composition, which, by way of Markovian techniques, re-models the series that lies at the heart of Boulez' 2nd Piano Sonata creating textures... Read More about Derives.

Driven voids (2015)
Other
Davismoon, S. (2015). Driven voids. [Score]

A work for Mezzo-soprano, harp, violin and multi-channel live electronics. The texts set in the work are taken from ideas on architecture - in particular duration and place - from Charles Rennie Mackintosh, Steve Holl and Johnny Rodger. All of whom... Read More about Driven voids.

Immersive, interactive, real and imagined sonic environments (2014)
Journal Article
Davismoon, S. (2014). Immersive, interactive, real and imagined sonic environments. Lecture notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering (Internet), 136, 113-117. https://doi.org/10.1007/978-3-319-08189-2_14

Perhaps the most significant contributions that computer and digital technologies have brought to our experience of music and sound art are to be found in the transformative effect that it has had upon auditory space and performative practice. Of cou... Read More about Immersive, interactive, real and imagined sonic environments.

Echoes of Friedrich crossing the Irwell (2013)
Other
Davismoon, S. (2013). Echoes of Friedrich crossing the Irwell. [Stereo Soundfile]

A soundscape composition, derived from contemporary found sounds gathered from along the historic stretch of Chapel St. made so (in)famous in the writings of Friedrich Engels.

Stations of the Clyde (2013)
Other
Davismoon, S. (2013). Stations of the Clyde. [Stereo Soundfile and Accompanying CD to issue of The Drouth]

A sound installation to accompany an exhibition re-visiting Douglas Gordon’s work, in collaboration with the Glasgow School of Art, The Drouth and the New Glasgow Society Gallery – April and May 2013.

Music and technologies (2013)
Book
Meesawat, K., Kucinskas, D., Kanchanapradit, J., Besasparyte, E., Martinelli, D., Ash, K., …Zarskiene, R. (2013). D. Kucinskas, & S. Davismoon (Eds.), Music and technologies. Newcastle: Cambridge Scholars Publishing

Based on the conference held in Kaunas, Lithuania, 2011, Music and Technologies aims to augment discussion within the field of interdisciplinary music research developed currently at such important forums as the CIM and the ISMIR. The book consists o... Read More about Music and technologies.

Well yeah
Other
Davismoon, S. (in press). Well yeah. [Digital Soundfiles]

A fixed-medium sound-art work premiered simultaneously at MCUK Salford and Columbia College Chicago February 2014 by way of live online streaming software LoLa.

Thrones
Other
Davismoon, S. (in press). Thrones

FILM PERFORMANCE : The role of the actor within cinematic expression
Thesis
Coleclough, S. FILM PERFORMANCE : The role of the actor within cinematic expression. (Thesis). University of Salford

This work seeks to consider film acting as an integrated element of cinematic expression, a core aspect of film performance but one which gains additional meaning and commentary via combination and integration with the more traditionally considered a... Read More about FILM PERFORMANCE : The role of the actor within cinematic expression.

Glory streams
Other
Davismoon, S. Glory streams. [Score/Audio File]

Glory Streams for Piano and String Quartet; commissioned by the Edinburgh Quartet and featured the pianist Lauryna Sableviciute received its premiere performance at Greyfriars Kirk, Edinburgh 13th December 2009 in a concert to mark the 75th and 50th... Read More about Glory streams.

In the highest
Other
Davismoon, S. (2010). In the highest. [Music Score]

In the Highest for Symphony Orchestra commissioned by the Pyynikki Symphony Orchestra, premiered by them
Sunday 24th of January 2010 at Pyynikkisali,Tampere, Finland conducted by Ari Angervo.

Resonant shoreline
Other
Davismoon, S. (2011). Resonant shoreline. [Score/Audio File]

Resonant Shoreline – for solo piano and live electronics (c33’ duration) for the Brazilian/Canadian pianist Luciane Cardassi (www.lucianecardassi.com). This project received support from Creative Scotland (formerly the Scottish Arts Council); The Ba... Read More about Resonant shoreline.