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Outputs (16)

Sentential negation in French (1998)
Other
Rowlett, P. (1998). Sentential negation in French. New York

This is the first full-length study of sentential negation phenomena in French. Paul Rowlett assesses, from a generative perspective, the respective contribution made to the expression of clausal polarity by ne , pas , and elements such as jamais and... Read More about Sentential negation in French.

Sentential negation in French (1998)
Other
Rowlett, P. (1998). Sentential negation in French. New York

This is the first full-length study of sentential negation phenomena in French. Paul Rowlett assesses, from a generative perspective, the respective contribution made to the expression of clausal polarity by ne , pas , and elements such as jamais and... Read More about Sentential negation in French.

Archaeology of an acting style: Stanislavski, Brecht, and the subject (1998)
Journal Article
Buse, P. (1998). Archaeology of an acting style: Stanislavski, Brecht, and the subject. European Journal of Cultural Studies, 1(2), 219-238. https://doi.org/10.1177/136754949800100204

This article argues that different acting techniques depend on different theories of the 'subject', and that consequently, every theory of acting is also a theory of subjectivity. Recent Oscar-winning performances emphasize roles where the actor must... Read More about Archaeology of an acting style: Stanislavski, Brecht, and the subject.

Archaeology of an acting style: Stanislavski, Brecht, and the subject (1998)
Journal Article
Buse, P. (1998). Archaeology of an acting style: Stanislavski, Brecht, and the subject. European Journal of Cultural Studies, 1(2), 219-238. https://doi.org/10.1177/136754949800100204

This article argues that different acting techniques depend on different theories of the 'subject', and that consequently, every theory of acting is also a theory of subjectivity. Recent Oscar-winning performances emphasize roles where the actor must... Read More about Archaeology of an acting style: Stanislavski, Brecht, and the subject.