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Investigating perceived emotional correlates of rhythmic density in algorithmic music composition

Williams, DAH; Nasuto, S; Kirke, A; Miranda, E; Daly, I; Hallowell, J; Weaver, J; Malik, A; Roesch, E; Hwang, F

Authors

S Nasuto

A Kirke

E Miranda

I Daly

J Hallowell

J Weaver

A Malik

E Roesch

F Hwang



Abstract

Affective algorithmic composition is a growing field that combines perceptually motivated affective computing strategies with novel music generation. This article presents work toward the development of one application. The long-term goal is to develop a responsive and adaptive system for inducing affect that is both controlled and validated by biophysical measures. Literature documenting perceptual responses to music identifies a variety of musical features and possible affective correlations, but perceptual evaluations of these musical features for the purposes of inclusion in a music generation system are not readily available. A discrete feature, rhythmic density (a function of note duration in each musical bar, regardless of tempo), was selected because it was shown to be well-correlated with affective responses in existing literature. A prototype system was then designed to produce controlled degrees of variation in rhythmic density via a transformative algorithm. A two-stage perceptual evaluation of a stimulus set created by this prototype was then undertaken. First, listener responses from a pairwise scaling experiment were analyzed via Multidimensional Scaling Analysis (MDS). The statistical best-fit solution was rotated such that stimuli with the largest range of variation were placed across the horizontal plane in two dimensions. In this orientation, stimuli with deliberate variation in rhythmic density appeared farther from the source material used to generate them than from stimuli generated by random permutation. Second, the same stimulus set was then evaluated according to the order suggested in the rotated two-dimensional solution in a verbal elicitation experiment. A Verbal Protocol Analysis (VPA) found that listener perception of the stimulus set varied in at least two commonly understood emotional descriptors, which might be considered affective correlates of rhythmic density. Thus, these results further corroborate previous studies wherein musical parameters are monitored for changes in emotional expression and that some similarly parameterized control of perceived emotional content in an affective algorithmic composition system can be achieved and provide a methodology for evaluating and including further possible musical features in such a system. Some suggestions regarding the test procedure and analysis techniques are also documented here.

Citation

Williams, D., Nasuto, S., Kirke, A., Miranda, E., Daly, I., Hallowell, J., …Hwang, F. (2015). Investigating perceived emotional correlates of rhythmic density in algorithmic music composition. ACM transactions on applied perception, 12(3), 1-21. https://doi.org/10.1145/2749466

Journal Article Type Article
Acceptance Date Mar 1, 2015
Publication Date Jul 28, 2015
Deposit Date Dec 12, 2019
Journal ACM Transactions on Applied Perception
Print ISSN 1544-3558
Electronic ISSN 1544-3965
Publisher Association for Computing Machinery (ACM)
Volume 12
Issue 3
Pages 1-21
DOI https://doi.org/10.1145/2749466
Publisher URL https://doi.org/10.1145/2749466
Related Public URLs https://tap.acm.org/