All Outputs (416)

Salford Festival of Research 2018 (2019)
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Presentation given at Festival of Research, Media City in 2018. Performance included live performance. The event was covered by Channel M

SPARC 2017 - Experimental Instrument Ensemble} (2019)
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Recordings developed from the performance given at SPARC 2017. Experimental Instrument Ensemble consisting of Phil Brissenden (raph) Adam Hart (digital theremin) Aden Peets (prepared udu), Alan Williams (accordion).

1. The Last Train Goes Under th... Read More about SPARC 2017 - Experimental Instrument Ensemble}.

Celebration of the Redevelopment of Peel Park. Performance in Conjunction with Walk the Plank. (2019)
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Performance of contemporary music given by Phil Brissenden (Raph), Adam Hart (Technology) and Cally Statham (various instruments) to accompanying the fire sculpture installation. The poster of the event illustrates the placement of the ensemble withi... Read More about Celebration of the Redevelopment of Peel Park. Performance in Conjunction with Walk the Plank..

Study (II) (2019)
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The second of two studies written to explore more advanced performance on the Raph. This study (currently untitled) is designed to be slightly at a slightly easier standard than the previous, Nocturne, and to provide a more sustained exploration of t... Read More about Study (II).

Nocturne (Version 2) (2019)
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The first of two studies written to explore the performance capability of the Raph from an advanced perspective. The piece was composed in the Autumn of 2017 and re-arranged into the final three stave rendering in January of 2018.

Nocturne (Version I) (2019)
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The first of two studies written to explore the advanced performance capability of the Raph. Notated using two staves.

Hoe Down - Copeland, from Rodeo (Arr: Brissenden for violin and Raph) (2019)
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An arrangement of Copeland's Hoe Down from the ballet Rodeo arranged for violin and Raph. Performed in the Spring of 2017.

Bach’s Fantasie (Partita No. 3 in A minor BWV- 827) Arr- Brissenden - Performance Recordings (2019)
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Two alternative performances of Bach’s Fantasie (Partita No. 3 in A minor BWV- 827) Arr- Brissenden, performed with varying levels of tremolo in different sections.

Salud D'Amour - Elgar (Arr: Brissenden for solo Raph - Performance Recording) (2019)
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This performance recording accompanies the notated arrangement of the Elgar's Salud D'Amour for solo Raph.

Salud D'Amour - Elgar (Arr: Brissenden for solo Raph) (2019)
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An arrangement of Elgar's Salud D'Amour for solo Raph. This arrangement uses two stave notation, melody (tremolo) on the string face and lower stave left hand on the keyboard. A performance recording accompanies this score within this collection.

Salud D'Amour - Elgar (Arr: Brissenden for Violin & Raph) (2019)
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This is an arrangement of Elgar's Salud D'Amour for violin and Raph. The Raph arrangement is developed from the piano part of the piano and violin version of this piece - it follows this part relatively closely, but achieves more harp like textures t... Read More about Salud D'Amour - Elgar (Arr: Brissenden for Violin & Raph).

The Fairest Rose (Traditional Arr: Brissenden) (2019)
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An arrangement of the traditional folk song The Fairest Rose for Raph and Voice. The Raph part explores tremolo counter melodies to the vocal line. The arrangement mixes formal three stave notation with a less structured section which allows more spo... Read More about The Fairest Rose (Traditional Arr: Brissenden).

Harp Dream (Brissenden, Shepherd 2019) (2019)
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A duet recorded with Hugh Shephard, graduate of MA Music (IMASP) at UoS - kora player. The kora is a nylon strung west African Harp

Orpheus - footage captured at Project: Trinity 19th November 2018 - Performance by Dr Phil Brissenden (Raph), Dr Adam Hart (Signal processing) (2019)
Digital Artefact

Orpheus. Experimental piece involving live Raph (and vocal performance from Phil Brissenden and live signal processing, MAX/MSP programming by Adam Hart, and contemporary dancers from the University of Salford

Audio Illusions & Other Musical Curiosities - Manchester Science Festival 2016 - Raph Performance Edit (2019)
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Audio Illusions & Other Musical Curiosities
(This edit shows only the Raph & Additive Synthesis performance)

A lecture presented in collaboration with the University of Salford and Manchester Science Festival by Dr Phil Brissenden, Professor Trev... Read More about Audio Illusions & Other Musical Curiosities - Manchester Science Festival 2016 - Raph Performance Edit.

Audio Illusions & Other Musical Curiosities - Manchester Science Festival 2016 (2019)
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Audio Illusions & Other Musical Curiosities

A lecture presented in collaboration with the University of Salford and Manchester Science Festival by Dr Phil Brissenden, Professor Trevor Cox and Dr Brendan Williams.

An investigation into audio ill... Read More about Audio Illusions & Other Musical Curiosities - Manchester Science Festival 2016.

300 Word Statement - Performance, Composition and Arranging for the Reverse Action Piano Harp (2019)
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300 Word Statement - Performance, Composition and Arranging for the Reverse Action Piano Harp

300 Word Statement - Design and Development of the Reverse Action Piano Harp (2019)
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300 Word Statement - Design and Development of the Reverse Action Piano Harp.

Bach’s Fantasie (Partita No. 3 in A minor BWV: 827) Arr: Brissenden (Version 3) (2019)
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Bach’s Fantasie (Partita No. 3 in A minor BWV: 827) Arr: Brissenden (Version 2)

Arranged using the three stave system developed to reflect more complex notation directions. The upper two staves reflect complete performance by the right hand in con... Read More about Bach’s Fantasie (Partita No. 3 in A minor BWV: 827) Arr: Brissenden (Version 3).

Bach’s Fantasie (Partita No. 3 in A minor BWV: 827) Arr: Brissenden (Version 2) (2019)
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Bach’s Fantasie (Partita No. 3 in A minor BWV: 827) Arr: Brissenden
Arranged using the two line system of notation for Raph, where melody appears in the upper stave and harmonic directions for left hand appears in the lower stave.