All Outputs (6)

Shoegaze as the third wave : affective psychedelic noise, c. 1965-1991 (2013)
Book Chapter
Halligan, B. (2013). Shoegaze as the third wave : affective psychedelic noise, c. 1965-1991. In M. Goddard, B. Halligan, & N. Spelman (Eds.), Resonances : Noise and Contemporary Music. London and New York: Bloomsbury Academic

Publisher's description of book: Resonances is a compelling collection of new essays by scholars, writers and musicians, all seeking to explore and enlighten this field of study. Noise seems to stand for a lack of aesthetic grace, to alienate or d... Read More about Shoegaze as the third wave : affective psychedelic noise, c. 1965-1991.

Resonances : noise and contemporary music (2013)
Book
(2013). M. Goddard, B. Halligan, & N. Spelman (Eds.), Resonances : noise and contemporary music. New York and London: Continuum / Bloomsbury

Noise seems to stand for a lack of aesthetic grace, to alienate or distract rather than enrapture. And yet the drones of psychedelia, the racket of garage rock and punk, the thudding of rave, the feedback of shoegaze and post-rock, the bombast of thr... Read More about Resonances : noise and contemporary music.

Sshhh (2012)
Book Chapter
Cookney, D. (2012). Sshhh. In M. Goddard, B. Halligan, & P. Hegarty (Eds.), The Philosophy, Aesthetics and Politics of Noise (147-163). London: Continuum (Bloomsbury)

This chapter documents a process undertaken by the author in summer 2010. Submitted as part of the University of Salford’s MA Communication Design programme, the study resulted in a practice-based outcome – a compact disc of audio recordings housed w... Read More about Sshhh.

Reverberations: The philosophy, aesthetics and politics of noise (2012)
Book
(2012). B. Halligan, M. Goddard, & P. Hegarty (Eds.), Reverberations: The philosophy, aesthetics and politics of noise. London and New York: Continuum

Noise permeates our highly mediated and globalised cultures. Noise as art, music, cultural or digital practice is a way of intervening so that it can be harnessed for an aesthetic expression not caught within mainstream styles or distribution. Thi... Read More about Reverberations: The philosophy, aesthetics and politics of noise.

‘As if from the sky’: Divine and secular dramaturgies of noise (2012)
Book Chapter
Halligan, B. (2012). ‘As if from the sky’: Divine and secular dramaturgies of noise. In B. Halligan, M. Goddard, & N. Spelman (Eds.), Reverberations: The philosophy, aesthetics and politics of noise. London and New York: Continuum/Bloomsbury

Noise permeates our highly mediated and globalised cultures. Noise as art, music, cultural or digital practice is a way of intervening so that it can be harnessed for an aesthetic expression not caught within mainstream styles or distribution.This wi... Read More about ‘As if from the sky’: Divine and secular dramaturgies of noise.

Mark E. Smith and The Fall: Art music and politics (2010)
Book
Goddard, M., & Halligan, B. (2010). M. Goddard, & B. Halligan (Eds.), Mark E. Smith and The Fall: Art music and politics. Farnham, Surrey: Ashgate

An edited collection with Benjamin Halligan that examines the post-punk music of Mark E. Smith and The Fall form a variety of critical perspectives.