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All Outputs (12)

“...a great crisis of identification and understanding of reality” : Strehler’s journey through Shakespeare (2020)
Book Chapter
Nigri, L. (2020). “...a great crisis of identification and understanding of reality” : Strehler’s journey through Shakespeare. In S. Bigliazzi (Ed.), Shakespeare and Crisis: An Italian Narrative (149-174). John Benjamins

Shakespeare’s plays proved crucial in Strehler’s career in many respects as they provided ‘narratives’ through which he could interpret the sequence of cultural, political, and social crises that he acknowledged, experienced personally, and more or l... Read More about “...a great crisis of identification and understanding of reality” : Strehler’s journey through Shakespeare.

Introduction to Forms of Hypocrisy (2017)
Book Chapter
Nigri, L., & Tsentourou, N. (2017). Introduction to Forms of Hypocrisy. In L. Nigri, & N. Tsentourou (Eds.), Forms of hypocrisy in Early Modern England (1-14). New York, NY ; Abingdon, Oxon: Routledge

Religious hypocrisy in performance : Roman Catholicism and the London stage (2017)
Book Chapter
Roman Catholicism and the London stage. In L. Nigri, & N. Tsentorou (Eds.), Forms of hypocrisy in Early Modern England (57-71). New York, NY ; Abingdon, Oxon: Routledge. https://doi.org/10.4324/9781315265568-4

From the Medieval period to the Restoration, the hypocrite remained a remarkably popular figure, proving its resilience as an object of fascination not only in literature but in theological, political, and social debates. In the Tudor and Stuart peri... Read More about Religious hypocrisy in performance : Roman Catholicism and the London stage.

Silencing the natural body : notes on the monumental body in Romeo and Juliet (2015)
Book Chapter
Bigliazzi, S., & Nigri, L. (2015). Silencing the natural body : notes on the monumental body in Romeo and Juliet. In S. Bigliazzi, & L. Calvi (Eds.), Shakespeare, Romeo and Juliet, and Civic Life : the Boundaries of Civic Space (171-186). Routledge. https://doi.org/10.4324/9781315733104

Romeo and Juliet offers precisely one such highly connoted and open-ended coda. Shakespearean endings are peculiar for making statements, but also for promising statements, thus closing the text while leaving it open to further elucidation. The touri... Read More about Silencing the natural body : notes on the monumental body in Romeo and Juliet.

“Lost in visual pleasure” : Charles Kean’s production of The Tempest (2014)
Book Chapter
Nigri, L. (2014). “Lost in visual pleasure” : Charles Kean’s production of The Tempest. In S. Bigliazzi, & L. Calvi (Eds.), Revisiting The Tempest: The Capacity to Signify (171-182). Palgrave. https://doi.org/10.1057/9781137333148

In critical history, Shakespeare's The Tempest has been interpreted as a reticent play, a fascinating and yet mysterious blend of magic and verisimilitude, narrative and drama, spectacle and meditation on death. The Tempest seems to raise fundamental... Read More about “Lost in visual pleasure” : Charles Kean’s production of The Tempest.

Testo, testi, e contesti: l’intertestualità in scena (2014)
Book Chapter
Nigri, L. (2014). Testo, testi, e contesti: l’intertestualità in scena. In S. Bigliazzi, & F. Gregori (Eds.), Critica e letteratura : Studi di anglistica (83-98). Edizioni ETS

Texts, whether they be literary or non-literary, are viewed by modern theorists as lacking in any kind of independent meaning. They are what theorists now call intertextual. The act of reading, theorists claim, plunges us into a network of textual... Read More about Testo, testi, e contesti: l’intertestualità in scena.