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An exploratory study of new media adoption for participatory programming in southwest Nigeria’s radio stations (2018)
Thesis
Oni, O. (in press). An exploratory study of new media adoption for participatory programming in southwest Nigeria’s radio stations. (Thesis). University of Salford

This study uses mixed methods to closely investigate how journalistic role conceptions and perceived attributes of new technologies, among other external forces, shape broadcast journalists’ intention and actual use of new media technologies. An inte... Read More about An exploratory study of new media adoption for participatory programming in southwest Nigeria’s radio stations.

Mysteries of Raúl Ruiz’s Portugal : territory, littoral and memory bridge (2017)
Book Chapter
Goddard, M. (2017). Mysteries of Raúl Ruiz’s Portugal : territory, littoral and memory bridge. In M. Liz (Ed.), Portugal's Global Cinema : Industry, History and Culture. I. B. Tauris

Raúl Ruiz’s 2010 film Mistérios de Lisboa/Mysteries of Lisbon may have been his first (and last) film in Portuguese, but it was far from being his first film in Portugal. In fact Portugal, beyond being an inexpensive and convenient film location, hel... Read More about Mysteries of Raúl Ruiz’s Portugal : territory, littoral and memory bridge.

Moving the music : dance, action, and embodied identity (2017)
Book Chapter
Slee, S. (2017). Moving the music : dance, action, and embodied identity. In G. Arnold, D. Cookney, K. Fairclough, & M. Goddard (Eds.), Music/Video: Histories, Aesthetics, Media (147-162). Bloomsbury Academic Press

Discourse on music videos widely views and examines the image within the video, along with the visual animation and consumption of music. Yet music videos often incorporate dance, movement and embodied action as fundamental, constituent elements, exp... Read More about Moving the music : dance, action, and embodied identity.

Music/video (2017)
Book
Fairclough, K., & Goddard, M. (2017). Music/video. Bloomsbury Academic USA

David Bowie, brinquedos adultos e outras dimensões estranhas do universo de Twin Peaks David Bowie, adult toys and other weird dimensions of the Twin Peaks universe (2016)
Journal Article
David Bowie, adult toys and other weird dimensions of the Twin Peaks universe. Questões Transversais - Revista de Epistemologias da Comunicação, 3(6), 120-126

The article is based fundamentally on the authors' participation in the International Conference “I’ll See You Again. The return of Twin Peaks and generations of cult TV”, held on 21 and 22 May 2015, at the Department of Arts and Media, at the Unive... Read More about David Bowie, brinquedos adultos e outras dimensões estranhas do universo de Twin Peaks David Bowie, adult toys and other weird dimensions of the Twin Peaks universe.

Media ecology (2014)
Book Chapter
Goddard, M. (2014). Media ecology. In M. Ryan, L. Emerson, & B. Robertson (Eds.), The Johns Hopkins Guide to Digital Media (331-333). Baltimore: Johns Hopkins University Press

An invited entry on the concept of media ecology.

Opening up the black boxes: Media archaeology, 'anarchaeology' and media materiality (2014)
Journal Article
Goddard, M. (2015). Opening up the black boxes: Media archaeology, 'anarchaeology' and media materiality. New Media and Society, 17(11), 1761-1776. https://doi.org/10.1177/1461444814532193

This article examines the emergent field of media archaeology as offering a materialist approach to new media and specifically the Internet, constituting a ‘travelling discipline’ or ‘indiscipline’ rather than a new disciplinary paradigm. Following t... Read More about Opening up the black boxes: Media archaeology, 'anarchaeology' and media materiality.

Polish cinema in a Transnational Context (2014)
Book
Goddard, M. (2014). M. Goddard, & E. Mazierska (Eds.), Polish cinema in a Transnational Context. Rochester, NY: Rochester University Press

The opening up of Poland economically and politically to global influences after the fall of the Berlin wall in 1989, coupled with the rise of transnational approaches to the study of film would seem to present ideal conditions for a transnational ap... Read More about Polish cinema in a Transnational Context.

Beyond Polish moral realism: The subversive cinema of Andrzej Żuławski (2014)
Book Chapter
Goddard, M. (2014). Beyond Polish moral realism: The subversive cinema of Andrzej Żuławski. In M. Goddard, & E. Mazierska (Eds.), Polish Cinema in a Transnational Context (236-257). Rochester, NY: Rochester University Press

An account of the transnational and subversive work of the Polish director Andrzej Zulawski, both within Poland and as an emigre director. The chapter shows how Zulawski's aesthetics explode the limits of Polish 'moral realism' and explore uncharted... Read More about Beyond Polish moral realism: The subversive cinema of Andrzej Żuławski.

Félix and Alice in wonderland: The encounter between Guattari and Berardi and the post-media era (2013)
Book Chapter
Goddard, M. (2014). Félix and Alice in wonderland: The encounter between Guattari and Berardi and the post-media era. In C. Apprich, J. Slater, & O. Schultz (Eds.), Provocative Alloys: A Post-Media Anthology (44-61). Leuphana: PML Books/Mute

This chapter explores Feli Guattari's concept of a post-media era, wiht reference to the experience of Italian Free Radio in the 1970s, especially Radio Alice, which Guattari was very engaged with. More specifically it uses the relations between Guat... Read More about Félix and Alice in wonderland: The encounter between Guattari and Berardi and the post-media era.

Shoegaze as the third wave : affective psychedelic noise, c. 1965-1991 (2013)
Book Chapter
Halligan, B. (2013). Shoegaze as the third wave : affective psychedelic noise, c. 1965-1991. In M. Goddard, B. Halligan, & N. Spelman (Eds.), Resonances : Noise and Contemporary Music. London and New York: Bloomsbury Academic

Publisher's description of book: Resonances is a compelling collection of new essays by scholars, writers and musicians, all seeking to explore and enlighten this field of study. Noise seems to stand for a lack of aesthetic grace, to alienate or d... Read More about Shoegaze as the third wave : affective psychedelic noise, c. 1965-1991.

Resonances : noise and contemporary music (2013)
Book
(2013). M. Goddard, B. Halligan, & N. Spelman (Eds.), Resonances : noise and contemporary music. New York and London: Continuum / Bloomsbury

Noise seems to stand for a lack of aesthetic grace, to alienate or distract rather than enrapture. And yet the drones of psychedelia, the racket of garage rock and punk, the thudding of rave, the feedback of shoegaze and post-rock, the bombast of thr... Read More about Resonances : noise and contemporary music.

Sshhh (2012)
Book Chapter
Cookney, D. (2012). Sshhh. In M. Goddard, B. Halligan, & P. Hegarty (Eds.), The Philosophy, Aesthetics and Politics of Noise (147-163). London: Continuum (Bloomsbury)

This chapter documents a process undertaken by the author in summer 2010. Submitted as part of the University of Salford’s MA Communication Design programme, the study resulted in a practice-based outcome – a compact disc of audio recordings housed w... Read More about Sshhh.

Reverberations: The philosophy, aesthetics and politics of noise (2012)
Book
(2012). B. Halligan, M. Goddard, & P. Hegarty (Eds.), Reverberations: The philosophy, aesthetics and politics of noise. London and New York: Continuum

Noise permeates our highly mediated and globalised cultures. Noise as art, music, cultural or digital practice is a way of intervening so that it can be harnessed for an aesthetic expression not caught within mainstream styles or distribution. Thi... Read More about Reverberations: The philosophy, aesthetics and politics of noise.

‘As if from the sky’: Divine and secular dramaturgies of noise (2012)
Book Chapter
Halligan, B. (2012). ‘As if from the sky’: Divine and secular dramaturgies of noise. In B. Halligan, M. Goddard, & N. Spelman (Eds.), Reverberations: The philosophy, aesthetics and politics of noise. London and New York: Continuum/Bloomsbury

Noise permeates our highly mediated and globalised cultures. Noise as art, music, cultural or digital practice is a way of intervening so that it can be harnessed for an aesthetic expression not caught within mainstream styles or distribution.This wi... Read More about ‘As if from the sky’: Divine and secular dramaturgies of noise.

Cinematic and aesthetic cartographies of subjective mutation (2012)
Journal Article
Goddard, M. (2012). Cinematic and aesthetic cartographies of subjective mutation. Subjectivity, 5(1), 75-94. https://doi.org/10.1057/sub.2011.24

This article exmaines the use of cinema as a mapping of subjective mutation in the work of Deleuze, Gauttari and Berardi. Drawing on Deleuze's distinciton between the reduction of the art-work to the symptom and the idea of art as symptomatology, the... Read More about Cinematic and aesthetic cartographies of subjective mutation.

Towards an archaeology of media ecologies : the case of Italian free radios (2011)
Journal Article
Goddard, M. (2011). Towards an archaeology of media ecologies : the case of Italian free radios. Fibreculture journal, 17,

This article looks at the contemporary reinvention of the term Media Ecologies in the work of Matthew Fuller, arguing that its provenance is less form Postman's Media Ecology Association andmore form the work of Felix Guattari. It then presents an ac... Read More about Towards an archaeology of media ecologies : the case of Italian free radios.

The autumn in Germany : a dialogue on Fassbinder and terrorism (2010)
Book Chapter
Halligan, B., & Goddard, M. (2010). The autumn in Germany : a dialogue on Fassbinder and terrorism. In A. Nouss, & F. Vighi (Eds.), Pasolini, Fassbinder and Europe : Between Utopia and Nihilism. Newcastle Upon Tyne: Cambridge Scholars Publishing

Dialogue on film representations of terrorism and militant subjectivities

Mark E. Smith and The Fall: Art music and politics (2010)
Book
Goddard, M., & Halligan, B. (2010). M. Goddard, & B. Halligan (Eds.), Mark E. Smith and The Fall: Art music and politics. Farnham, Surrey: Ashgate

An edited collection with Benjamin Halligan that examines the post-punk music of Mark E. Smith and The Fall form a variety of critical perspectives.