All Outputs (12)

Spatial Violence and the Documentary Image (2024)
Book
Smith, P. B. (in press). Spatial Violence and the Documentary Image. Cambridge: Modern Humanities Research Association

State and corporate violence has always been waged on material space. However, with the escalation of late-capitalist and neocolonial modes of extraction, incarceration, and bordering, these processes of spatial exploitation are accelerating and morp... Read More about Spatial Violence and the Documentary Image.

Counter Logistics/Counter Forensics: Seeing the Rot (2024)
Journal Article
Smith, P. B. (2024). Counter Logistics/Counter Forensics: Seeing the Rot. #Journal not on list, 45(3), 355-380

Elemental Documentary: Fire, Forensics and Pyro-Epistemologies (2023)
Journal Article
Smith, P. B. (2023). Elemental Documentary: Fire, Forensics and Pyro-Epistemologies. #Journal not on list, 3(1), 61-82. https://doi.org/10.1163/26659891-bja10025

This article examines the interconnections between fire and Indigenous politics, geographies and epistemologies. More precisely, the article focuses on how different modes of emergent nonfiction media practice are engaging with the pyrological and in... Read More about Elemental Documentary: Fire, Forensics and Pyro-Epistemologies.

Teaching Media Forensics (2022)
Journal Article
Smith, P. B., & Burchell, K. (2022). Teaching Media Forensics. #Journal not on list, 61(9),

Forensics (2022)
Book Chapter
Smith, P. B., & Crawford-Holland, S. (2022). Forensics. In The Lab Book. University of Minnesota, Management Information Systems Research Center. https://doi.org/10.5749/9781452958408

Counter(media) Visioning and AI (2022)
Journal Article
Smith, P. B., & Harvey, A. (2022). Counter(media) Visioning and AI. #Journal not on list,

Mediated forensics and militant evidence: rethinking the camera as weapon (2022)
Journal Article
Brian Smith, P., & Watson, R. (2023). Mediated forensics and militant evidence: rethinking the camera as weapon. Media, Culture and Society, 45(1), 36-56. https://doi.org/10.1177/01634437221088954

This article focuses on new media technologies and practices that are reshaping how human rights media activism is practiced, disseminated and received. Through an examination of two works by the research agency Forensic Architecture, we examine how... Read More about Mediated forensics and militant evidence: rethinking the camera as weapon.

Critical Media Forensics: Theme Week Introduction (2022)
Digital Artefact
Smith, P. B. (2022). Critical Media Forensics: Theme Week Introduction

Documenting Extractive and Indigenous Futurities: Thirza Cuthand’s and Thomas Kneubühler’s Radical Work (2020)
Journal Article
Smith, P. B. (2020). Documenting Extractive and Indigenous Futurities: Thirza Cuthand’s and Thomas Kneubühler’s Radical Work. #Journal not on list, 47(4), 50-68. https://doi.org/10.1525/aft.2020.47.4.50

The aim of this article is to examine how different modes of moving image practice can expose and critique the impacts of extractive capitalism and settler colonialism on Indigenous communities in northern Canada. The article focuses on the work of t... Read More about Documenting Extractive and Indigenous Futurities: Thirza Cuthand’s and Thomas Kneubühler’s Radical Work.

Visualising Spatial Injustice and Exploitation, Q&A with Alberto Toscano and Miranda Pennell (2018)
Journal Article
Connolly, S., Gibson, M., & Smith, P. B. (2018). Visualising Spatial Injustice and Exploitation, Q&A with Alberto Toscano and Miranda Pennell. #Journal not on list, 3(2),

The politics of spatiality in experimental nonfiction cinema: Jonathan Perel’s ‘Toponimia’ (2016)
Journal Article
Smith, P. B. (2016). The politics of spatiality in experimental nonfiction cinema: Jonathan Perel’s ‘Toponimia’. #Journal not on list, 5(2), 49-71. https://doi.org/10.25969/MEDIAREP/3356

This article maps out the presence of a spatio-political tendency within a diverse corpus of experimental nonfiction films. Within such works urban/rural landscapes and spaces – typically presented through protracted, deep focus shots – become the ce... Read More about The politics of spatiality in experimental nonfiction cinema: Jonathan Perel’s ‘Toponimia’.

Working/Slow: Cinematic Style as Labour in Wang Bing’s Tie Xi Qu: West of the Tracks (2015)
Book Chapter
Smith, P. B. (2015). Working/Slow: Cinematic Style as Labour in Wang Bing’s Tie Xi Qu: West of the Tracks. In Traditions in World Cinema: Slow Cinema (180-191). Edinburgh: Edinburgh University Press. https://doi.org/10.1515/9780748696031-018