Outputs (15)

The indexical body of film : time-based experiments in Super8 materiality and performance (2021)
Presentation / Conference
Prokopic, P. (2021, April). The indexical body of film : time-based experiments in Super8 materiality and performance. Presented at Time and the Body in Film, Television and Screen Studies’ BAFTSS Conference, University of Southhampton

The argument of this video essay stems from the knowledge and observation that film represents reality in two different ways: through a near-identical iconic resemblance and, more importantly, through a direct indexical contact – capturing a specific... Read More about The indexical body of film : time-based experiments in Super8 materiality and performance.

Mirrors and Tears (2020)
Journal Article
Prokopic, P. (2020). Mirrors and Tears. Screenworks, 11(1), https://doi.org/10.37186/swrks/11.1/3

Affective cinema : experimenting with feelings of meaning (2019)
Journal Article
Prokopic, P. (2019). Affective cinema : experimenting with feelings of meaning. ˜The œinternational journal of creative media research, https://doi.org/10.33008/IJCMR.2019.17

Affective Cinema is an AHRC-funded practice research project in film, informed by art cinema, experimental film traditions, film theory and philosophy. The outcomes of the research are films that combine aspects of cinematic style, nuances of perform... Read More about Affective cinema : experimenting with feelings of meaning.

‘400 feet in forgotten time’ : digital chance encounters with Super8
Presentation / Conference
Prokopic, P. ‘400 feet in forgotten time’ : digital chance encounters with Super8. Presented at Shifting Ecologies of Photochemical Film in the Digital Era Conference, Aberystwyth University, Wales

Affective cinema : between style, chance and the moving body
Thesis
Prokopic, P. Affective cinema : between style, chance and the moving body. (Thesis). University of Salford

Affective Cinema is a practice research project in film, informed by art cinema and experimental film traditions, and by conceptual fields derived from film theory and philosophy (specifically film ontology, and the philosophy of Deleuze, Bergson and... Read More about Affective cinema : between style, chance and the moving body.