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Outputs (21)

Picturing resistance and resilience : South Asian identities in the work of Chila Kumari Burman (2020)
Journal Article
Correia, A. (2020). Picturing resistance and resilience : South Asian identities in the work of Chila Kumari Burman. Visual Culture in Britain, 21(2), 199-226. https://doi.org/10.1080/14714787.2020.1760128

The issues of migration and the allocation of passports is a contentious issue in twenty-first-century Britain. This paper offers a timely assessment of Chila Kumari Burman’s diptych, Convenience, Not Love, 1986–7, which uses the passport motif to pr... Read More about Picturing resistance and resilience : South Asian identities in the work of Chila Kumari Burman.

Where are the South Asian [Women] artists? The Horizon Gallery responds to 'The Other Story' (2020)
Book Chapter
Correia, A. Where are the South Asian [Women] artists? The Horizon Gallery responds to 'The Other Story'. In S. Boyce, D. Dibosa, & S. Lok (Eds.), The Fissures of Modernism: Collections, Cultures and Black-British Artists. Duke University Press. Manuscript submitted for publication

There is no question that The Other Story: Afro-Asian Artists in Post-War Britain curated by Rasheed Araeen and staged at the Hayward Gallery, London, and then touring to Wolverhampton and Manchester, 1989-1990, has had a formative, if belated, impac... Read More about Where are the South Asian [Women] artists? The Horizon Gallery responds to 'The Other Story'.

Making myself visible : self-portraiture and representations of blackness in the work of Donald Rodney (2019)
Journal Article
Correia, A. (2019). Making myself visible : self-portraiture and representations of blackness in the work of Donald Rodney. Nka: Journal of Contemporary African Art, 45, 74-86

This article considers the role of self-portraiture within the work of British artist Donald Rodney (1961–98). The text investigates the ways in which Rodney used the self-portrait, not to visualize himself, but to animate issues associated with the... Read More about Making myself visible : self-portraiture and representations of blackness in the work of Donald Rodney.

Researching exhibitions of South Asian women artists in Britain in the 1980s (2019)
Journal Article
Correia, A. (2019). Researching exhibitions of South Asian women artists in Britain in the 1980s. British Art Studies, https://doi.org/10.17658/issn.2058-5462/issue-13/acorreia/000

This paper narrates the author’s research methodologies and findings relating to her ongoing project, Articulating British Asian Art Histories. With a specific focus on four exhibitions of South Asian women artists during the 1980s and early 1990s, i... Read More about Researching exhibitions of South Asian women artists in Britain in the 1980s.

Encounters with art history (2019)
Book Chapter
Correia, A., Castagnini, L., Mistry, P., & Robles, E. (2019). Encounters with art history. In The place is here : the work of black artists in 1980s Britain ; edited by Nick Aikens and Elizabeth Robles (43-48). Sternberg Press

A discussion between Alice Correia, Laura Castagnini, Priyesh Mistry and Elizabeth Robles considering the role of Art History in the work of Black and Asian British artists during the 1980s. Artists discussed include Rasheed Araeen, Donald Rodney, Ve... Read More about Encounters with art history.

Held in the pattern : notes on Susan MacWilliam’s Concatenations (2019)
Book Chapter
Correia, A. (2019). Held in the pattern : notes on Susan MacWilliam’s Concatenations. In R. Coulter (Ed.), Susan MacWilliam : Modern Experiments. Banbridge, Northern Ireland: F.E. McWilliam Gallery

An essay discussing artist Susan MacWilliam's video work. Essay to be published in the forthcoming monograph "Modern Experiments" published by F.E. McWilliam Gallery, Banbridge.

Defiant Confrontation (2018)
Book Chapter
Correia, A. (2018). Defiant Confrontation. In H. Reckitt (Ed.), Art of Feminism : Images That Shaped the Fight for Equality, 1857-2017. San Francisco, USA: Chronicle Books / Tate Publishing, London

An in-depth discussion of the 1988 exhibition, "Along the Lines of Resistance", at Rochdale Art Gallery, and artist Chila Kumari Burman's diptych "Convenience, Not Love", 1985. Themes discussed include South Asian migration to Britain, feminist exhib... Read More about Defiant Confrontation.

Book review : Alison Smith, David Blayney Brown, and Carol Jacobi, eds. Artist and Empire : Facing Britain’s Imperial Past. London: Tate, 2016 (2018)
Journal Article
Correia, A. (2018). Book review : Alison Smith, David Blayney Brown, and Carol Jacobi, eds. Artist and Empire : Facing Britain’s Imperial Past. London: Tate, 2016. CAA.reviews (New York, N.Y.), https://doi.org/10.3202/caa.reviews.2018.39

Artist and Empire: Facing Britain’s Imperial Past is both a fascinating and frustrating compendium of art made since the sixteenth century that either depicts, reflects, or comments upon, British colonialism. Written by a team of Tate curators, with... Read More about Book review : Alison Smith, David Blayney Brown, and Carol Jacobi, eds. Artist and Empire : Facing Britain’s Imperial Past. London: Tate, 2016.

PRESENCE : A Window into Chinese Contemporary Art (2018)
Book Chapter
Correia, A. (2018). PRESENCE : A Window into Chinese Contemporary Art. In L. Taylor (Ed.), PRESENCE: A Window into Chinese Contemporary Art (3-40). Salford: University of Salford

A catalogue produced to accompany an exhibition of Contemporary Chinese Art from the University of Salford Art Collection, held at The Vaults, St George's Hall, Liverpool, 8 February - 3 June 2018. Short introductory texts, written by Alice C... Read More about PRESENCE : A Window into Chinese Contemporary Art.