Ms Anna Wilson A.Wilson1@salford.ac.uk
Lecturer in Performance
The article examines formal innovation, authorship and representation within Phoebe Waller-Bridge’s television series Fleabag (2016–2019). Through close examination of the developed use of direct address within the programme, in particular two key moments of trans-diegetic address, the analysis considers how, contrary to ontological assumptions, the adaptation of the theatrical ‘aside’, when converted for screen, can function to support, strengthen, layer and enhance aspects of a narrative, as well as help build performer/audience connectivity through perceptions of intimacy, authenticity and female agency.
Journal Article Type | Article |
---|---|
Acceptance Date | Jun 1, 2022 |
Online Publication Date | Jul 18, 2022 |
Publication Date | Jul 18, 2022 |
Deposit Date | Sep 28, 2022 |
Publicly Available Date | Jan 27, 2023 |
Journal | Critical Studies in Television: The International Journal of Television Studies |
Print ISSN | 1749-6020 |
Electronic ISSN | 1749-6039 |
Publisher | SAGE Publications |
Volume | 17 |
Issue | 4 |
Pages | 415-435 |
DOI | https://doi.org/10.1177/17496020221108923 |
Keywords | Communication, Cultural Studies |
Publisher URL | https://doi.org/10.1177/17496020221108923 |
Accepted Version
(508 Kb)
PDF
‘Playing the game’: authenticity and invitation in Ontroerend Goed’s Audience
(2015)
Journal Article
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