Mr Adam Hart A.M.Hart1@salford.ac.uk
Lecturer
While numerous contemporary composers have explored the endless possibilities afforded by microtonal tuning systems, Western popular music has hitherto rarely ventured from the harmonic comfort zone of 12-tone equal temperament. This article highlights an unlikely exception to this trend in the emergence of a community of microtonal electronic dance musicians, and examines how changes in technology, culture, and distribution might have led to its development.
Hart, A. (2016). Microtonal tunings in electronic dance music : a survey of precedent and potential. Contemporary Music Review, 35(2), 242-262. https://doi.org/10.1080/07494467.2016.1221635
Journal Article Type | Article |
---|---|
Acceptance Date | Jul 12, 2016 |
Online Publication Date | Sep 6, 2016 |
Publication Date | Sep 6, 2016 |
Deposit Date | Nov 8, 2019 |
Journal | Contemporary Music Review |
Print ISSN | 0749-4467 |
Electronic ISSN | 1477-2256 |
Publisher | Routledge |
Volume | 35 |
Issue | 2 |
Pages | 242-262 |
DOI | https://doi.org/10.1080/07494467.2016.1221635 |
Publisher URL | https://doi.org/10.1080/07494467.2016.1221635 |
Related Public URLs | https://www.tandfonline.com/action/journalInformation?journalCode=gcmr20 |
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