LH Peters
Reports of the death of British theatrical
comedy? Greatly exaggerated or sadly
accurate?
Peters, LH
Authors
Abstract
Are the twin masks of Tragedy and Comedy in the process of transformation?
I am seeking in this paper to address challenging questions concerning the increasing disappearance of the 'serious' comedy, especially the satirical play on
the UK stage and ask why:
Has the UK audience deserted comedy in general and satire in particular?
Is it too difficult to write? Why in the context of a troubled world is contemporary theatrical comedy not more popular?
Controversially, is it something to do with the inverse relationship between the increasing benefits of a multi-national, multi-racial UK society and a declining national consensus on shared symbols concerning issues of humour and satire?
Journal Article Type | Article |
---|---|
Online Publication Date | Feb 26, 2018 |
Publication Date | Feb 26, 2018 |
Deposit Date | Mar 12, 2018 |
Publicly Available Date | Aug 26, 2019 |
Journal | Comedy Studies |
Print ISSN | 2040-610X |
Publisher | Intellect |
Volume | 9 |
Issue | 1 |
Pages | 76-83 |
DOI | https://doi.org/10.1080/2040610X.2018.1437166 |
Publisher URL | http://dx.doi.org/10.1080/2040610X.2018.1437166 |
Related Public URLs | https://www.tandfonline.com/toc/rcos20/current |
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