MN Goddard
Cinematic and aesthetic cartographies of subjective mutation
Goddard, MN
Authors
Abstract
This article exmaines the use of cinema as a mapping of subjective mutation in the work of Deleuze, Gauttari and Berardi. Drawing on Deleuze's distinciton between the reduction of the art-work to the symptom and the idea of art as symptomatology, the article focuses on Berardi's use of cinematic examples, posing the quesiton in each case of to what extent they function as symptomatologies or mere symptoms of cultural and subjective mutations in examples ranging from Bergman's Persona to Van Sant's Elephant to finish on speculations about Fincher's The Social Network as a cirtical engagement with subjective mutation in the 21st Century.
Journal Article Type | Article |
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Online Publication Date | Mar 2, 2012 |
Publication Date | Apr 1, 2012 |
Deposit Date | Oct 14, 2011 |
Publicly Available Date | Jun 8, 2017 |
Journal | Subjectivity |
Print ISSN | 1755-6341 |
Electronic ISSN | 1755-635X |
Publisher | Palgrave Macmillan |
Peer Reviewed | Not Peer Reviewed |
Volume | 5 |
Issue | 1 |
Pages | 75-94 |
DOI | https://doi.org/10.1057/sub.2011.24 |
Publisher URL | http://dx.doi.org/10.1057/sub.2011.24 |
Related Public URLs | https://link.springer.com/journal/41286 |
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