The Euphonium: A Musical Journey

SCHWARTZ, Philippe

Abstract

This Doctor of Musical Arts research portfolio explores the euphonium soloist’s status within
a variety of aspects of the classical music profession. Specifically, the role of the euphonium
is investigated through practical application in distinct repertoires and genres. In four projects,
I first analyse the revival of original saxhorn literature and adapt this for euphonium through
the recording of my own arrangement of an existing saxhorn concertino; secondly I
demonstrate the euphonium’s position as a symphonic concerto soloist; thirdly I commission
and perform a work in the contemporary classical music genre; and fourthly I demonstrate the
euphonium’s potential within the double concerto idiom and the more traditional wind band
context. The musical works presented in this research consist either in arrangements of
existing repertoire or the commission of new large-scale works. Additionally, all works were
either commercially recorded or premiered. The artistic outcome of this study shows that the
euphonium’s potential for an increasingly diversified repertoire exploration and development
is abundant. Indeed, the instrument’s qualities lend themselves to a plethora of different
innovative roles allowing the modern performer to inhabit a large variety of professional
musical contexts.

Citation

SCHWARTZ, P. (2024). The Euphonium: A Musical Journey. (Thesis). University of Salford

• Thesis Type: Thesis
• Deposit Date: Jan 11, 2024
• Publicly Available Date: Feb 27, 2024
• Award Date: Jan 26, 2024