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The World Without, the World Within and the Space Between: Amanda Dalton’s Adaptation of Nosferatu for BBC Radio 3

McMurtry, Leslie

Authors



Abstract

Made for BBC Radio 3, the radio drama The Midnight Cry of the Death-Bird (2012) is an adaptation of Nosferatu (1922). Nosferatu is both a target text (of Dracula, 1897) and a source text (of The Midnight Cry). Thus, complex layers of adaptation and audience expectations are evoked through medium-specific qualities, such as the ability of radio to represent the immaterial or disembodied and multiple spaces at the same time, including a between-world along the inside/outside worlds. Radio can exist almost entirely in the mind, effortlessly navigating between outer and inner dimensions. This article explores questions of narration, embodiment/non-corporeality, and inner space using the concept of radio as a ‘mono-sensory medium', centring primarily around the characters of the Nosferatu (a bodiless essence of contagion) and Roger, a friendly Everyman character who serves as the listener’s radio guide.

Citation

McMurtry, L. (in press). The World Without, the World Within and the Space Between: Amanda Dalton’s Adaptation of Nosferatu for BBC Radio 3. Journal of Adaptation in Film and Performance,

Journal Article Type Article
Acceptance Date Jun 26, 2024
Deposit Date Jul 4, 2024
Print ISSN 1753-6421
Publisher Intellect
Peer Reviewed Peer Reviewed

This file is under embargo due to copyright reasons.

Contact L.G.McMurtry1@salford.ac.uk to request a copy for personal use.




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