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IV-Alternative Tuning In Practice - (L5)

Brissenden, Philip

Authors



Abstract

This is the fourth in a collection of four undergraduate lectures on the subject of musical tuning and perception of tuning. The lectures examine the subject from a number of perspectives, developing contextual historical understanding of tuning in the west, appreciation of tuning and musical enculturation, technical aspects of tuning and tuning theory and invented tuning systems and tuning within other musical cultures across the world. Decolonizing the music curriculum is at the heart of the education strategy - at the end of the series students will be able to create music outside the boundaries of western tuning with appropriate cultural sensitivity.

This lecture is taught at level five, it continues to explore indigenous tuning systems that demonstrate extreme difference in approach to western tuning. It explores hybridization, through practice - and demonstrates how to invent a tuning system, create a cultural context and a compositional interface within a DAW and to compose within it.

Included Media:

1. Lecture Title as a.jpeg
2. Lecture slides presented in pdf format
3. Lecture commentary in .docx
4. Lecture presented as an movie in .mp4 format
5. A self-playing, interactive power point presentation. Download the file and play in a full version of power point. This format provides both audio commentary and transcript if viewed in presenter mode. It allows the user to proceed at their own pace through the audio demonstrations.

Please contact p.brissenden2@salford.ac.uk to request access to this material.

Citation

Brissenden, P. (2024, November). IV-Alternative Tuning In Practice - (L5)

Presentation Conference Type Lecture
Start Date Nov 13, 2024
Deposit Date Nov 21, 2024
DOI https://doi.org/10.17866/rd.salford.21774602.v1