The scenography of backstage labour at Eurovision

Zezulka, Kelli

Abstract

This chapter explores the often-overlooked work of backstage crews at the Eurovision Song Contest (ESC). The labour of technical staff is a crucial part of the event's scenography, deserving equal attention to the onstage performances. Backstage workers have traditionally been hidden from the ESC’s broadcast audience. However, recent trends show these workers in action through official videos and social media posts, highlighting their choreographed movements and technical skills. The chapter draws on the concept of "expanded scenography" from Joslin McKinney and Scott Palmer, foregrounding the audience's experience and the integral role of backstage labour in creating both live and broadcast performances. Christin Essin's work, which frames backstage labour as choreographic, and Michael Smalley's argument for recognising stage management as a scenographic practice also provide key frameworks for this chapter. Through the examination of four recent Eurovision performances, the chapter demonstrates how backstage workers' movements in and interactions with the space, bodies and objects contribute to the overall scenography. The chapter advocates for a re-evaluation of backstage labour's role in performance-making, suggesting that recognising this work as scenographic can enhance our understanding of live events and the collaborative nature of theatre production. This, however, requires a shift in how technicians’ contributions are viewed and valued, promoting a holistic appreciation of their artistic and technical skills.

Citation

Zezulka, K. (in press). The scenography of backstage labour at Eurovision. In Designing Eurovision : Performance Scenography on an International Stage

• Acceptance Date: Jan 21, 2025
• Deposit Date: Jan 22, 2025
• Book Title: Designing Eurovision : Performance Scenography on an International Stage