Listening for phi: temporal proportion in recordings of Mozart’s piano sonatas
(2006)
Journal Article
Warner, T. (2006). Listening for phi: temporal proportion in recordings of Mozart’s piano sonatas. WSEAS Transactions on Mathematics, 5(8), 1000
Digital recording, editing and signal processing offer performers and producers of Western European art music unprecedented levels of control over every sonic facet of the recorded artefact. Yet it is often the case that the ways in which these lev... Read More about Listening for phi: temporal proportion in recordings of Mozart’s piano sonatas.