All Outputs (7)

Stagger Lee : how violent nostalgia created an American folk song standard (2018)
Journal Article
Williams, D. (2018). Stagger Lee : how violent nostalgia created an American folk song standard. Journal of Extreme Anthropology, 2(1), 89-97. https://doi.org/10.5617/jea.5546

“Stagger” Lee Shelton (1865-1912) was an African-American carriage driver and sometime-pimp from Missouri. He became immortalized in song as a folklore antihero after murdering a drinking partner following a political argument gone bad in a St Louis... Read More about Stagger Lee : how violent nostalgia created an American folk song standard.

Emotion in Video Game Soundtracking (2018)
Book
Williams, D., & Newton, L. (2018). Emotion in Video Game Soundtracking. Springer. https://doi.org/10.1007/978-3-319-72272-6

This book presents an overview of the emerging field of emotion in videogame soundtracking. The emotional impact of music has been well-documented, particularly when used to enhance the impact of a multimodal experience, such as combining images with... Read More about Emotion in Video Game Soundtracking.

Unconsciously interactive films in a cinema environment — a demonstrative case study (2018)
Journal Article
Kirke, A., Williams, D., Miranda, E., Bluglass, A., Whyte, C., Pruthi, R., & Eccleston, A. (2018). Unconsciously interactive films in a cinema environment — a demonstrative case study. Digital Creativity, 29(2-3), 165-181. https://doi.org/10.1080/14626268.2017.1407344

‘Many worlds’ is a short narrative live-action film written and directed so as to provide multiple linear routes through the plot to one of four endings, and designed for showing in a cinema environment. At two points during the film, decisions are m... Read More about Unconsciously interactive films in a cinema environment — a demonstrative case study.

Unconsciously interactive Films in a cinema environment—a demonstrative case study (2018)
Journal Article
Kirke, A., Williams, D., Miranda, E., Bluglass, A., Whyte, C., Pruthi, R., & Eccleston, A. (2018). Unconsciously interactive Films in a cinema environment—a demonstrative case study. Digital Creativity, 29(2-3), 165-181. https://doi.org/10.1080/14626268.2017.1407344

‘Many worlds’ is a short narrative live-action film written and directed so as to provide multiple linear routes through the plot to one of four endings, and designed for showing in a cinema environment. At two points during the film, decisions are m... Read More about Unconsciously interactive Films in a cinema environment—a demonstrative case study.

Personalised, multi-modal, affective state detection for hybrid brain-computer music interfacing (2018)
Journal Article
Daly, I., Williams, D., Malik, A., Weaver, J., Kirke, A., Hwang, F., …Nasuto, S. (2020). Personalised, multi-modal, affective state detection for hybrid brain-computer music interfacing. IEEE Transactions on Affective Computing, 11(1), 111-124. https://doi.org/10.1109/taffc.2018.2801811

Brain-computer music interfaces (BCMIs) may be used to modulate affective states, with applications in music therapy, composition, and entertainment. However, for such systems to work they need to be able to reliably detect their user's current affec... Read More about Personalised, multi-modal, affective state detection for hybrid brain-computer music interfacing.

BCI for Music Making: Then, Now, and Next (2018)
Book Chapter
Williams, D. A., & Miranda, E. R. BCI for Music Making: Then, Now, and Next. In C. S. Nam, A. Nijholt, & F. Lotte (Eds.), . Taylor & Francis (Routledge). https://doi.org/10.1201/9781351231954

Brain–computer music interfacing (BCMI) is a growing field with a history of experimental applications derived from the cutting edge of BCI research as adapted to music making and performance. BCMI offers some unique possibilities over traditional mu... Read More about BCI for Music Making: Then, Now, and Next.

BCI for music making : then, now, and next (2018)
Book Chapter
Williams, D., & Miranda, E. (2018). BCI for music making : then, now, and next. In C. Nam, A. Nijholt, & F. Lotte (Eds.), Brain–Computer Interfaces Handbook. Taylor and Francis. https://doi.org/10.1201/9781351231954

Brain–computer music interfacing (BCMI) is a growing field with a history of experimental applications derived from the cutting edge of BCI research as adapted to music making and performance. BCMI offers some unique possibilities over traditional mu... Read More about BCI for music making : then, now, and next.