All Outputs (11)

An exploratory study of new media adoption for participatory programming in southwest Nigeria’s radio stations (2018)
Thesis
Oni, O. (in press). An exploratory study of new media adoption for participatory programming in southwest Nigeria’s radio stations. (Thesis). University of Salford

This study uses mixed methods to closely investigate how journalistic role conceptions and perceived attributes of new technologies, among other external forces, shape broadcast journalists’ intention and actual use of new media technologies. An inte... Read More about An exploratory study of new media adoption for participatory programming in southwest Nigeria’s radio stations.

Vimeo killed the video star : Burial and the user-generated music video (2017)
Book Chapter
music video. In D. Cookney, K. Fairclough, M. Goddard, & G. Arnold (Eds.), Music/Video: Histories, Aesthetics, Media (255-267). New York: Bloomsbury Academic

This chapter looks at how user generated content on sites such as Vimeo and Youtube has responded to and further facilitated the practice of ‘facelessness’ employed by, electronic music producer, Burial. For a notoriously media-shy producer who is sy... Read More about Vimeo killed the video star : Burial and the user-generated music video.

Moving the music : dance, action, and embodied identity (2017)
Book Chapter
Slee, S. (2017). Moving the music : dance, action, and embodied identity. In G. Arnold, D. Cookney, K. Fairclough, & M. Goddard (Eds.), Music/Video: Histories, Aesthetics, Media (147-162). Bloomsbury Academic Press

Discourse on music videos widely views and examines the image within the video, along with the visual animation and consumption of music. Yet music videos often incorporate dance, movement and embodied action as fundamental, constituent elements, exp... Read More about Moving the music : dance, action, and embodied identity.

Polish cinema in a Transnational Context (2014)
Book
Goddard, M. (2014). M. Goddard, & E. Mazierska (Eds.), Polish cinema in a Transnational Context. Rochester, NY: Rochester University Press

The opening up of Poland economically and politically to global influences after the fall of the Berlin wall in 1989, coupled with the rise of transnational approaches to the study of film would seem to present ideal conditions for a transnational ap... Read More about Polish cinema in a Transnational Context.

Beyond Polish moral realism: The subversive cinema of Andrzej Żuławski (2014)
Book Chapter
Goddard, M. (2014). Beyond Polish moral realism: The subversive cinema of Andrzej Żuławski. In M. Goddard, & E. Mazierska (Eds.), Polish Cinema in a Transnational Context (236-257). Rochester, NY: Rochester University Press

An account of the transnational and subversive work of the Polish director Andrzej Zulawski, both within Poland and as an emigre director. The chapter shows how Zulawski's aesthetics explode the limits of Polish 'moral realism' and explore uncharted... Read More about Beyond Polish moral realism: The subversive cinema of Andrzej Żuławski.

Shoegaze as the third wave : affective psychedelic noise, c. 1965-1991 (2013)
Book Chapter
Halligan, B. (2013). Shoegaze as the third wave : affective psychedelic noise, c. 1965-1991. In M. Goddard, B. Halligan, & N. Spelman (Eds.), Resonances : Noise and Contemporary Music. London and New York: Bloomsbury Academic

Publisher's description of book: Resonances is a compelling collection of new essays by scholars, writers and musicians, all seeking to explore and enlighten this field of study. Noise seems to stand for a lack of aesthetic grace, to alienate or d... Read More about Shoegaze as the third wave : affective psychedelic noise, c. 1965-1991.

Resonances : noise and contemporary music (2013)
Book
(2013). M. Goddard, B. Halligan, & N. Spelman (Eds.), Resonances : noise and contemporary music. New York and London: Continuum / Bloomsbury

Noise seems to stand for a lack of aesthetic grace, to alienate or distract rather than enrapture. And yet the drones of psychedelia, the racket of garage rock and punk, the thudding of rave, the feedback of shoegaze and post-rock, the bombast of thr... Read More about Resonances : noise and contemporary music.

Sshhh (2012)
Book Chapter
Cookney, D. (2012). Sshhh. In M. Goddard, B. Halligan, & P. Hegarty (Eds.), The Philosophy, Aesthetics and Politics of Noise (147-163). London: Continuum (Bloomsbury)

This chapter documents a process undertaken by the author in summer 2010. Submitted as part of the University of Salford’s MA Communication Design programme, the study resulted in a practice-based outcome – a compact disc of audio recordings housed w... Read More about Sshhh.

Reverberations: The philosophy, aesthetics and politics of noise (2012)
Book
(2012). B. Halligan, M. Goddard, & P. Hegarty (Eds.), Reverberations: The philosophy, aesthetics and politics of noise. London and New York: Continuum

Noise permeates our highly mediated and globalised cultures. Noise as art, music, cultural or digital practice is a way of intervening so that it can be harnessed for an aesthetic expression not caught within mainstream styles or distribution. Thi... Read More about Reverberations: The philosophy, aesthetics and politics of noise.

‘As if from the sky’: Divine and secular dramaturgies of noise (2012)
Book Chapter
Halligan, B. (2012). ‘As if from the sky’: Divine and secular dramaturgies of noise. In B. Halligan, M. Goddard, & N. Spelman (Eds.), Reverberations: The philosophy, aesthetics and politics of noise. London and New York: Continuum/Bloomsbury

Noise permeates our highly mediated and globalised cultures. Noise as art, music, cultural or digital practice is a way of intervening so that it can be harnessed for an aesthetic expression not caught within mainstream styles or distribution.This wi... Read More about ‘As if from the sky’: Divine and secular dramaturgies of noise.

Mark E. Smith and The Fall: Art music and politics (2010)
Book
Goddard, M., & Halligan, B. (2010). M. Goddard, & B. Halligan (Eds.), Mark E. Smith and The Fall: Art music and politics. Farnham, Surrey: Ashgate

An edited collection with Benjamin Halligan that examines the post-punk music of Mark E. Smith and The Fall form a variety of critical perspectives.