Dr Brendan Williams' Outputs (46)

Art Pop Intersections - Impact and Reach (2019)
Data

A selection of national and international interviews, reviews, previews, audience data and promotional materials associated with the outputs.

The materials are represented as both images and a substantial number of hyperlinks stored in 'references... Read More about Art Pop Intersections - Impact and Reach.

Birdsong - Stories From Pripyat: String Quartet Recording Session (2019)
Data

Video footage of the Birdsong - Stories From Pripyat string quartet recording session.

In order that the string quartet could be effectively mixed with (at times) dense synthetic textures the decision was taken to record the work in an acousticall... Read More about Birdsong - Stories From Pripyat: String Quartet Recording Session.

2. REF 300 Word Statement: Art Pop Intersections (2019)
Data

300 Word REF Statement

19. Dutch Uncles "O Shudder" Acoustic Instrumental Recording Sessions. (2019)
Data

Photographs detailing acoustic instrumental recording sessions undertaken for the Dutch Uncles album O Shudder:

1 - The recording location; Peel Hall Salford, Greater Manchester. A large reverberant 300 seat concert hall.

2 / 3 - Location recor... Read More about 19. Dutch Uncles "O Shudder" Acoustic Instrumental Recording Sessions..

Audio Illusions & Other Musical Curiosities - Manchester Science Festival 2016 (2019)
Data

Audio Illusions & Other Musical Curiosities

A lecture presented in collaboration with the University of Salford and Manchester Science Festival by Dr Phil Brissenden, Professor Trevor Cox and Dr Brendan Williams.

An investigation into audio ill... Read More about Audio Illusions & Other Musical Curiosities - Manchester Science Festival 2016.

The music technologist as collaborator in the contemporaneous co-creation of audio artefacts (2016)
Thesis

This PhD portfolio of commercially available album releases exemplifies aspects of my practice as I have navigated through the roles of engineer, producer, composer and collaborator over an eight-year period. The six outputs explored are drawn from a... Read More about The music technologist as collaborator in the contemporaneous co-creation of audio artefacts.