Dr Leslie McMurtry L.G.McMurtry1@salford.ac.uk
Senior Lecturer
Transgressing boundary rituals on radio
McMurtry, LG
Authors
Abstract
One of the hallmarks of radio has always been its imaginative and immersive potential. From the 1920s on, listeners have frequently found broadcast reality/fiction to be problematic. Once boundary rituals were established, demarcating out for listeners where one program ended and another began and contributing to the concept of the schedule, such rituals could be transgressed. This frequently happened when carefully crafted fictional programming was framed to sound like news. This is the case with the most famous example, The Mercury Theatre of the Air’s ‘The War of the Worlds’ (Welles, O., Houseman, J., and Koch, H. (Writers). (1938, October 30). War of the Worlds [Radio program], The Columbia Workshop. New York, NY: CBS.). Such phenomena, however, are not confined to science fiction. Biting and surrealist radio satire On the Hour (Iannucci, A., and Morris, C. (Producers). (1990–1991). On the Hour [Radio series]. London: BBC Radio 4.) used the conventions of radio news to fool its audience. More recent forms like the podcast have exploited this transgression as well, many of them re-working the aesthetics established by WBEZ Chicago/PRI’s true crime/investigative journalism podcast Serial (Koenig, S., Chivvis, D., and Snyder, J. (Producers). (2014). Serial [Radio series]. Chicago: This American Life/WBEZ Chicago/Public Radio International), such as The Black Tapes (2015–), TANIS (2015–), and Lime Town (2015–). Soap operas, such as The Archers (1951–), have listeners who have chosen to interpret their storyworlds as a form of ‘truth,’ regardless of whether they represent factual reality. Throughout its existence, radio has been shaped by its unique ability to transgress of boundary rituals, which allows listeners a uniquely immersive experience that blurs the nature of reality.
Citation
McMurtry, L. (2022). Transgressing boundary rituals on radio. In The Routledge Companion to Radio and Podcast Studies. London: Routledge
Publication Date | Jun 16, 2022 |
---|---|
Deposit Date | Jun 23, 2022 |
Publicly Available Date | Dec 17, 2023 |
Publisher | Routledge |
Book Title | The Routledge Companion to Radio and Podcast Studies |
ISBN | 9781003002185 |
Publisher URL | https://doi.org/10.4324/9781003002185 |
Files
ML_9780367432638c28.edt for author review (1).pdf
(349 Kb)
PDF
You might also like
Sounds Like Murder: Early 1980s Gothic on North American Radio
(2022)
Journal Article
Immersive night : audio horror in radio and podcasting
(2021)
Journal Article
Penny dreadfuls were the true crime podcasts of their time
(2020)
Journal Article
Trick film: Neil Brand’s radio dramas and the silent film
experience
(2019)
Journal Article
Downloadable Citations
About USIR
Administrator e-mail: library-research@salford.ac.uk
This application uses the following open-source libraries:
SheetJS Community Edition
Apache License Version 2.0 (http://www.apache.org/licenses/)
PDF.js
Apache License Version 2.0 (http://www.apache.org/licenses/)
Font Awesome
SIL OFL 1.1 (http://scripts.sil.org/OFL)
MIT License (http://opensource.org/licenses/mit-license.html)
CC BY 3.0 ( http://creativecommons.org/licenses/by/3.0/)
Powered by Worktribe © 2024
Advanced Search