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Examining the effects of experimental/academic electroacoustic and popular electronic musics on the evolution and development of human–computer interaction in music

Meikle, GT

Authors

GT Meikle



Abstract

This article focuses on how the development of human–computer interaction in music has been aided and influenced by both experimental/academic electroacoustic art music and popular electronic music. These two genres have impacted upon this ever-changing process of evolution in different ways, but have together been paramount to the establishment of interactivity in music as we understand it today; which is itself having wide-ranging implications upon the modern-day musical landscape as a whole—both in the way that we, as listeners and audience members, purchase and consume music as well as conceptualise and think about it.

Citation

Meikle, G. (2016). Examining the effects of experimental/academic electroacoustic and popular electronic musics on the evolution and development of human–computer interaction in music. Contemporary Music Review, 35(2), 224-241. https://doi.org/10.1080/07494467.2016.1221634

Journal Article Type Article
Online Publication Date Sep 15, 2016
Publication Date Sep 15, 2016
Deposit Date Dec 14, 2016
Publicly Available Date Feb 7, 2017
Journal Contemporary Music Review
Print ISSN 0749-4467
Electronic ISSN 1477-2256
Publisher Routledge
Volume 35
Issue 2
Pages 224-241
DOI https://doi.org/10.1080/07494467.2016.1221634
Publisher URL http://dx.doi.org/10.1080/07494467.2016.1221634
Additional Information Projects : PhD Thesis: "Towards the realisation of a fully integrated Interactive Computer Music System (ICMS), adopting transformative expressive dimensions"

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