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Neo-Noir: The cultural significance (and insignificance) of a film style

Willis, ATJ

Authors



Abstract

A critique is presented of the films "Hustle" directed by Robert Aldrich and "Night Moves" directed by Arthur Penn, focusing on the films' relation to American film noir from the 1940s and 1950s. The social and political aspects of films, social change in motion pictures, and the history of the U.S. film industry are discussed, as well as themes of masculinity, American society, and class conflict in the films.

Citation

Willis, A. (2013). Neo-Noir: The cultural significance (and insignificance) of a film style. Film International, 11(5), 31-37

Journal Article Type Article
Publication Date Oct 1, 2013
Deposit Date Sep 12, 2014
Journal Film International
Print ISSN 1651-6826
Electronic ISSN 2040-3801
Publisher Intellect
Peer Reviewed Not Peer Reviewed
Volume 11
Issue 5
Pages 31-37
Publisher URL http://www.intellectbooks.co.uk/journals/view-issue,id=2532/