Dr Philip Brissenden P.Brissenden2@salford.ac.uk
Senior Lecturer
Introduction
The Raph is an invented musical instrument, work on early prototypes dates from 2008, and the project as a whole includes a patent (secured 2012) and successful PhD (completed 2015). This particular collection focuses upon the more ambitious composition, arranging and performance practice developed on the instrument subsequent to the completion of the much-improved prototype five during 2015. A range of new techniques have been explored and documented; from experimental work, integrating field recording and signal processing to the adaptation of traditional techniques from related instruments, evidenced in the ongoing development of an instrument specific notation system. The collection is an extended, multilayered creative investigation.
Please consider this collection in the order described within the contents & critical commentary included in the word document embedded in this submission element
Online Publication Date | Feb 5, 2021 |
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Publication Date | Feb 5, 2021 |
Deposit Date | Feb 20, 2025 |
Collection Date | Feb 5, 2021 |
I-The Problem With Tuning - (L4)
(2024)
Presentation / Conference
II-Decolonizing – Understanding Your Tuning Enculturation - (L5)
(2024)
Presentation / Conference
III-Invented Tuning Systems - (L5)
(2024)
Presentation / Conference
IV-Alternative Tuning In Practice - (L5)
(2024)
Presentation / Conference
About USIR
Administrator e-mail: library-research@salford.ac.uk
This application uses the following open-source libraries:
Apache License Version 2.0 (http://www.apache.org/licenses/)
Apache License Version 2.0 (http://www.apache.org/licenses/)
SIL OFL 1.1 (http://scripts.sil.org/OFL)
MIT License (http://opensource.org/licenses/mit-license.html)
CC BY 3.0 ( http://creativecommons.org/licenses/by/3.0/)
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