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Where did you go?! Trans-diegetic address and formal innovation in Phoebe Waller-Bridge’s television series Fleabag (2022)
Journal Article
Wilson, A. (2022). Where did you go?! Trans-diegetic address and formal innovation in Phoebe Waller-Bridge’s television series Fleabag. Critical Studies in Television, 17(4), 415-435. https://doi.org/10.1177/17496020221108923

The article examines formal innovation, authorship and representation within Phoebe Waller-Bridge’s television series Fleabag (2016–2019). Through close examination of the developed use of direct address within the programme, in particular two key mo... Read More about Where did you go?! Trans-diegetic address and formal innovation in Phoebe Waller-Bridge’s television series Fleabag.

Punchdrunk, participation and the political : democratization within Masque of the Red Death? (2016)
Journal Article
within Masque of the Red Death?. Studies in Theatre and Performance, 36(2), 159-176. https://doi.org/10.1080/14682761.2016.1157748

Democratisation is a term frequently applied to participatory art as an indicator of its value, not necessarily by artists themselves but by arts’ organisations, producers, funding bodies, policy-makers or the media. This article examines the ways... Read More about Punchdrunk, participation and the political : democratization within Masque of the Red Death?.

‘Playing the game’: authenticity and invitation in Ontroerend Goed’s Audience (2015)
Journal Article
Wilson, A. (2015). ‘Playing the game’: authenticity and invitation in Ontroerend Goed’s Audience. Particip@tions, 12(1), 333-345

Ontroerend Goed’s Audience is a theatre performance exploring the varying divisions between an audience, a crowd, a community, witness and mob. This article considers the responses of audience members to this performance, focusing on a pivotal moment... Read More about ‘Playing the game’: authenticity and invitation in Ontroerend Goed’s Audience.