ISUA Infinite Space 1401 End Of Act 4 Underline Action02 (2023)
Digital Artefact

Video clip from end of Act 4 of Infinite Space, underlining action

Evolution of Royal Navy Headwear (2023)
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The Royal Navy has a rich history that spans several centuries, and the evolution of its headwear is a reflection of that history. This poster presentation will explore the history of Royal Navy headwear, from its origins in the 16th century to the p... Read More about Evolution of Royal Navy Headwear.

A Pilgrimage for Virginia Woolf: A Final Walk (2023)
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This research image depicts a moment from my reenactment of author Virginia Woolf’s final walk in East Sussex, part of my PhD research examining the creative potential of pilgrimage as performance. In this image, I am wearing a fur brown coat and car... Read More about A Pilgrimage for Virginia Woolf: A Final Walk.

Session 4: Experience Decolonising across disciplines in postgraduate research and supervision (April 2023) (2023)
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Dr Vashti Suwa Gbolagun

Title: Autobiographical narratives and the Jos tin fields: A Decolonising approach to the negative impact of Tin mining degradation.

Summary: Tin mining degradation occurred on the Jos Plateau land, in Nigeria, for over... Read More about Session 4: Experience Decolonising across disciplines in postgraduate research and supervision (April 2023).

Session 3: Experience Decolonising across disciplines in postgraduate research and supervision (April 2023) (2023)
Digital Artefact

Davina Whitnall

Title: Do we need to deinstitutionalise first? Exploration of the issues and implications of decolonising knowledge for pedagogy

Summary: Decolonising pedagogical practice remains a challenge in Higher Education (HE) despite ins... Read More about Session 3: Experience Decolonising across disciplines in postgraduate research and supervision (April 2023).

Session 2: Experience Decolonising across disciplines in postgraduate research and supervision (April 2023) (2023)
Digital Artefact

Title: Beyond the Institution: Knowledge Exchange as Decolonial Method

Summary: Since the establishment of universities hundreds of years ago, higher education institutions have been characterised by their elitist and exclusive cultures. These cul... Read More about Session 2: Experience Decolonising across disciplines in postgraduate research and supervision (April 2023).

Session 1: Experience Decolonising across disciplines in postgraduate research and supervision (April 2023) (2023)
Digital Artefact

Title: South African Literature, Decolonisation, and the English Literature A-Level

Summary: In this lecture and Q+A, Jade will discuss what 'decolonising the curriculum' might mean for the discipline of English Studies. Drawing on examples from h... Read More about Session 1: Experience Decolonising across disciplines in postgraduate research and supervision (April 2023).

Songs I Want To Play - Animated Idents for a 'Herbie Hancock' cover (2023)
Digital Artefact
Court, A. (2023). Songs I Want To Play - Animated Idents for a 'Herbie Hancock' cover. [Video]

Music video co-produced for the rearrangement of "I Thought It Was You" and "The Bomb" by Herbie Hancock.

"I Thought It Was You" is a masterclass in merging Jazz, Fusion, Funk and Modern synthesiser techniques, still replicated to this day. The se... Read More about Songs I Want To Play - Animated Idents for a 'Herbie Hancock' cover.

22/02/2021 - Loreto College (2022)
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22/02/2021 - Loreto College

Delivery [online due to COVID-19]:

x2 1 hour lectures and x6 1 hour workshops on Olive Schreiner and South African Modernism (Eduqas)
99 students; 6 teachers.
Data:

Student Comments via the chatbox on Microsoft... Read More about 22/02/2021 - Loreto College.

Vital Signs: poetry, movement and the writing body (2022)
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This article outlines a collaborative enquiry between a dancer and a poet. It considers some past and present collaborations between poets and dancers before framing the authors’ interest in the traditions of North American Post-modern dance and Eur... Read More about Vital Signs: poetry, movement and the writing body.

UoS Buildings Image Dataset for Computer Vision Algorithms (2022)
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The dataset for this project is represented by photos, photos for the buildings of the University of Salford, these photos are taken by a mobile phone camera from different angels and different distances , even though this task sounds so easy but it... Read More about UoS Buildings Image Dataset for Computer Vision Algorithms.

On Cultural Diplomacy and Its Role (2022)
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Cultural Diplomacy: Defintions and Descriptions

CRAFT Project Final Report (2022)
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UKRI/AHRC CRAFT Project Final Report

Damietta’s Furniture Networks: A Heritage Asset Facing

Climate Emergency

A Horse's End - 300 word statement (2022)
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A statement describing this artistic output and identifying the research aspects

A Horse's End (2022)
Digital Artefact
Williams, A. (2022). A Horse's End. [Video]

A Horse's End is a music theatre piece commissioned by United Instruments of Luclin with Philippe Schwartz (solo euphonium). The performance was directed by Lionel Ménard and the Horse was performed by Irene Fas Fita.

It was premiered at the Carré... Read More about A Horse's End.

A Horse's End (score) (2022)
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The full score of the concerto/music theatre piece 'A Horse's End'.

Walking in the Wild, Smart City - 300 word statement (2022)
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This 300 word statement outlines the Walking in the WIld, Smart City practice as research project and provides a link to its outputs.

Walking in the Wild, Smart City - link to research output (2022)
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This research output, published through Microsoft Sway includes the creative outputs of the research, alongside the research narrative and associated documentation.

'This is original practise based research. Hand cut wood block printmaking on paper' (2022)
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Rahela was born in the UK and brought up by her immigrant parents from the Bengal region of the Indian sub-continent. Her work reflects her pride in her Muslim and Bengali heritage and not feeling like she fits into the culture of assimilation. Rahel... Read More about 'This is original practise based research. Hand cut wood block printmaking on paper'.

The Departure and Arrival of Sculptural Qualities shaping improvising bodies within motion capture environments (2022)
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Photo Credits: Adam Lyon, dancer and researcher Lucie Sykes (in the centre), movement participant A (on the right side).



“…Dance is living, kinetic sculpture…” (Korsch cited in Herrera, 2016) and shifts the attention to the actual movement... Read More about The Departure and Arrival of Sculptural Qualities shaping improvising bodies within motion capture environments.