Dr Pavel Prokopic P.Prokopic1@salford.ac.uk
Lecturer in Film Production Film Making
Chance semiotics : the value and application of contingency in cinema art practice
Prokopic, P
Authors
Abstract
As this paper argues, chance is the key defining
aspect of film, distinguishing it from other forms of
art and communication. This is because film has
the ability to capture a direct, mechanical imprint of
the unpredictable movement of reality as a series
of equidistant static images. Through the enhanced
visibility (such as the close-up or slow-motion) and replayability of this static state, film can reveal contingent
nuances of this movement. Therefore, film can be
seen as uniquely positioned on a semiotic threshold
between movement and stillness – the infinitely
complex movement of the real, and the conceptual
stillness of language – translating randomness and
chaos into aleatory significance, or revealing the
unpredictable, contingent foundation of seemingly
ordinary, habitual events.
On the basis of a creative synthesis of particular
aspects of the philosophy and theory of Bergson,
Deleuze, Barthes and others, this paper sets out chance
as the defining semiotic aspect of film. Furthermore,
the paper discusses and presents outcomes of a
practice research in film, which used this theoretical
synthesis as a rationale for practical exploration and
experimentation – establishing chance as a significant
expressive tool and aesthetic element of film practice.
In this way, the paper presents new filmmaking methods
uniquely rooted in film philosophy, while contributing to
the expansion of the understanding of the nature of film
and to the narrative/stylistic potential of cinema art.
Citation
Prokopic, P. (2021). Chance semiotics : the value and application of contingency in cinema art practice. Avanca - cinema (Em linha), 85-91. https://doi.org/10.37390/avancacinema.2021.a216
Journal Article Type | Article |
---|---|
Conference Name | AVANCA CINEMA 2021 International Conference Cinema - Art, Technology, Communication |
Conference Location | Avanca, Portugal |
Start Date | Jul 28, 2021 |
End Date | Aug 1, 2021 |
Acceptance Date | May 18, 2021 |
Publication Date | Oct 25, 2021 |
Deposit Date | May 19, 2021 |
Publicly Available Date | Oct 29, 2021 |
Journal | AVANCA CINEMA 2021 |
Print ISSN | 2184-0520 |
Pages | 85-91 |
DOI | https://doi.org/10.37390/avancacinema.2021.a216 |
Publisher URL | https://doi.org/10.37390/avancacinema.2021.a216 |
Related Public URLs | https://doi.org/10.37390/avancacinema.2021 |
Additional Information | Event Type : Conference |
Files
Prokopic Chance Semiotics.pdf
(910 Kb)
PDF
Licence
http://creativecommons.org/licenses/by/4.0/
Publisher Licence URL
http://creativecommons.org/licenses/by/4.0/
You might also like
Nested Cinematic Reality: cinema as a connected multi-media immersive experience for the living room of the future
(2023)
Presentation / Conference
Affective atmosphere: embodiment and the film frame
(2022)
Journal Article
Affective space : a conceptual and practical approach to cinematography
(2022)
Journal Article
Downloadable Citations
About USIR
Administrator e-mail: library-research@salford.ac.uk
This application uses the following open-source libraries:
SheetJS Community Edition
Apache License Version 2.0 (http://www.apache.org/licenses/)
PDF.js
Apache License Version 2.0 (http://www.apache.org/licenses/)
Font Awesome
SIL OFL 1.1 (http://scripts.sil.org/OFL)
MIT License (http://opensource.org/licenses/mit-license.html)
CC BY 3.0 ( http://creativecommons.org/licenses/by/3.0/)
Powered by Worktribe © 2024
Advanced Search