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All Outputs (45)

East asian film stars (2014)
Book
(2014). A. Willis, & W. Leung (Eds.), East asian film stars. Basingstoke, UK: Palgrave Macmillan

East Asian Film Stars brings together some of the world's leading cinema scholars to offer their insights into the work of regional and transnational screen legends, contemporary superstars and mysterious cult personas. This collection of original es... Read More about East asian film stars.

British Chinese short films : challenging the limits of the Sinophone (2014)
Book Chapter
Willis, A., & Chan, F. (2014). British Chinese short films : challenging the limits of the Sinophone. In A. Yue, & O. Khoo (Eds.), Sinophone Cinemas (169-184). Basingstoke, UK: Palgrave Macmillan. https://doi.org/10.1057/9781137311207_10

In an article published in a special issue of the Journal for Chinese Cinemas, considering the possibility of shifting transnational Chinese film studies from a diasporic framework to a Sinophonic one, we argued for the retention of the former agains... Read More about British Chinese short films : challenging the limits of the Sinophone.

Neo-Noir: The cultural significance (and insignificance) of a film style (2013)
Journal Article
Willis, A. (2013). Neo-Noir: The cultural significance (and insignificance) of a film style. Film International, 11(5), 31-37

A critique is presented of the films "Hustle" directed by Robert Aldrich and "Night Moves" directed by Arthur Penn, focusing on the films' relation to American film noir from the 1940s and 1950s. The social and political aspects of films, social chan... Read More about Neo-Noir: The cultural significance (and insignificance) of a film style.

Articulating British Chinese experiences on-screen: 'soursweet' and 'ping pong' (2012)
Journal Article
Chan, F., & Willis, A. (2012). Articulating British Chinese experiences on-screen: 'soursweet' and 'ping pong'. Journal of Chinese Cinemas, 6(1), 27-39. https://doi.org/10.1386/jcc.6.1.27_1

The notion of the Sinophone according to Shu-mei Shih attempts takes the delineation of Chinese identities out of ethno-geographic boundaries into linguistic communities. In the case of Chinese cinemas, the emphasis on linguistic communities fails to... Read More about Articulating British Chinese experiences on-screen: 'soursweet' and 'ping pong'.

Jim Allen : radical drama beyond 'days of hope' (2008)
Journal Article
Willis, A. (2008). Jim Allen : radical drama beyond 'days of hope'. Journal of British Cinema and Television, 5(2), 300-317. https://doi.org/10.3366/E1743452108000381

Due to a desire to establish television as a serious medium, television drama has often been seen as a forum for writers, with names such as David Mercer, Dennis Potter and Trevor Griffiths identified by critics as the driving force, or auteur, behin... Read More about Jim Allen : radical drama beyond 'days of hope'.

The cinema of Alex de la Iglesia (2007)
Book
Willis, A., Triana-Toribio, N., & Buse, P. (2007). The cinema of Alex de la Iglesia. Manchester, UK: Manchester University Press

A popular Spanish auteur: Alex de la Iglesia as a polemical tool (2004)
Journal Article
Buse, P., Triana-Toribio, N., & Willis, A. (2004). A popular Spanish auteur: Alex de la Iglesia as a polemical tool. New Cinemas, 2(3), 139-148. https://doi.org/10.1386/ncin.2.3.139/1

This article looks at how Álex de la Iglesia can be studied using reviewed auteurist strategies. Such a study has to take into account how he constructs his persona as director in a process which deviates greatly from the images and roles allocated t... Read More about A popular Spanish auteur: Alex de la Iglesia as a polemical tool.

Spanish popular cinema (2004)
Book
Willis, A., & Lázaro-Reboll, A. (2004). Spanish popular cinema. Manchester, UK: Manchester University Press