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All Outputs (110)

Panopticons within panopticons : surveillance inversions in Willie Doherty’s video installations (2013)
Journal Article
Blair, P. (2013). Panopticons within panopticons : surveillance inversions in Willie Doherty’s video installations. Journal of Postcolonial Writing, 49(5), 539-551. https://doi.org/10.1080/17449855.2013.842775

From the understanding that postcolonialism is linked to power structures, and that surveillance activity is a means for knowledge acquisition, this article considers different ways of seeing/being seen as avenues for gaining control. It addresses su... Read More about Panopticons within panopticons : surveillance inversions in Willie Doherty’s video installations.

Context is half the work : The live brief in fine art education (2013)
Presentation / Conference
Randall, J. (2013, September). Context is half the work : The live brief in fine art education. Presented at 'Paradox' Fine Art European Forum Biennial Conference: The Inheritance: Contesting Legacies in Fine Art Practice, Research and Education, Granada, Spain

Jill Randall, Senior Lecturer on the BA (Hons) Visual Arts Course in the School of Arts & Media, has just returned from presenting a paper at “Paradox”- the Fine Art European Forum Conference, “The Inheritance: Contesting Legacies in Fine Art Practic... Read More about Context is half the work : The live brief in fine art education.

The 21st Century Journalism Handbook (2013)
Book
Hadwin, S., Holmes, T., & Mottershead, G. (2013). The 21st Century Journalism Handbook. Taylor & Francis (Routledge). https://doi.org/10.4324/9781315834405

Set against the background of the fundamental issues facing the industry today, The 21st Century Journalism Handbook is a comprehensive guide to the core principles and practices essential to the modern journalist.　 Convergence, online, the growth o... Read More about The 21st Century Journalism Handbook.

Spatial parody, theatricalisation and constructions of ‘self’ in Patricia Highsmith’sThe Price of Salt and Carson McCullers’ The Ballad of the Sad Cafe (2013)
Book Chapter

This essay considers the ways in which Highsmith and McCullers use theatricalisation of space to suspend the distinction between public and private as a defining trope in gender construction. Both texts, I argue, explore ‘transit’ as space/place that... Read More about Spatial parody, theatricalisation and constructions of ‘self’ in Patricia Highsmith’sThe Price of Salt and Carson McCullers’ The Ballad of the Sad Cafe.

Methodology to monitor the implementation of the ‘European code of good conduct for microcredit provision' by microcredit providers - microcredit provider guidelines (2013)
Book

These provider guidelines are intended to support microcredit providers (henceforth, ‘the providers’) wanting to implement the ‘European Code of Good Conduct for Microcredit Provision’ (henceforth, ‘the Code’). The guidance is aimed at management and... Read More about Methodology to monitor the implementation of the ‘European code of good conduct for microcredit provision' by microcredit providers - microcredit provider guidelines.

Methodology to monitor the implementation of the ‘European code of good conduct for microcredit provision’ by microcredit providers - evaluator methodology (2013)
Book

This document is the methodology to monitor the implementation of the ‘European Code of Good Conduct for Microcredit Provision’ (henceforth, ‘the Code’) by microcredit
providers (henceforth, ‘the providers’). The methodology is
primarily aimed at t... Read More about Methodology to monitor the implementation of the ‘European code of good conduct for microcredit provision’ by microcredit providers - evaluator methodology.

Serial narrative, intertextuality, and the role of audiences in the creation of a franchise : an analysis of the Indiana Jones saga from a cross-media perspective (2013)
Journal Article

Rather than the simple adaptation of a story across different media, cross-media narrative should be defined as that which is transformed by virtue of use a medium and its different languages (film, comics, video games, etc.). This article extends an... Read More about Serial narrative, intertextuality, and the role of audiences in the creation of a franchise : an analysis of the Indiana Jones saga from a cross-media perspective.

Notes on William Blake’s paper makers, c. 1789–1795 (2013)
Journal Article
Yates, M. (2013). Notes on William Blake’s paper makers, c. 1789–1795. ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, 26(3), 169-179. https://doi.org/10.1080/0895769X.2013.796548

This study investigates the connections between Blake’s uses of papers and the paper makers
who manufactured these media between c. 1789 and 1795. Relating the papers’ countermarks and
watermarks to particular paper-making firms, I introduce a seri... Read More about Notes on William Blake’s paper makers, c. 1789–1795.

All the world's a screen featuring the seven stages of man (2013)
Journal Article
Gould, C., & Sermon, P. (2013). All the world's a screen featuring the seven stages of man. International Journal of Performance Arts and Digital Media, 9(2), 231-246. https://doi.org/10.1386/padm.9.2.231_1

Charlotte Gould and Paul Sermon developed and presented this collaborative new artwork entitled All the World’s a Screen, a live interactive telecommunications performance, to link public audiences in Manchester and Barcelona. On the evening of Satur... Read More about All the world's a screen featuring the seven stages of man.