D Mattix
A portfolio of compositions developing notational and compositional techniques in neo-liturgical music including handpan
Mattix, D
Abstract
The objective of this portfolio is to develop a system of notation and compose neo-liturgical music featuring the handpan. Until this point, no means of written communication has been in place to express advanced handpan techniques in printed sheet music. My process in researching and creating this portfolio entailed a fourfold methodology: cultivating new elements of handpan notation using an existing knowledge of composition and percussion, interviewing percussionists and handpanists to test the viability of these notation advances, adapting the notation based on the feedback, and creating original music that incorporated the subsequent findings using both traditional and electroacoustic composition techniques. I have also made progress toward combining the handpan with other forces, including a variety of diverse instruments and voices, with a scope that had not been previously undertaken. Throughout this project, I have researched principles of meditative music and have found that there are four primary characteristics: cohesion, repetition, instrumentation, and duration. I applied that research by composing neo-liturgical music, that is, music inspired by sacred texts or topics, but intended for performance in a concert setting instead of a religious venue. The primary readership for this research is composers and performers writing music for handpan, who would benefit from both the repository of notation developed here, as well as the practical means of application offered in the seven compositions. The descriptions, notation, and examples presented in this portfolio offer a starting point for the information needed to write competently for the handpan, as it continues to develop as a concert instrument today and into the future.
Keywords: Handpan, Music Notation, Neo-liturgical, Meditation, Composition, Percussion
Citation
Mattix, D. A portfolio of compositions developing notational and compositional techniques in neo-liturgical music including handpan. (Thesis). University of Salford
Thesis Type | Thesis |
---|---|
Deposit Date | Dec 17, 2020 |
Publicly Available Date | Dec 17, 2020 |
Publisher URL | https://www.dropbox.com/sh/c28zndvlctrj2lc/AAC_9tDHGdWBR-v4XihN3CQca?dl=0 |
Related Public URLs | https://www.dropbox.com/sh/c28zndvlctrj2lc/AAC_9tDHGdWBR-v4XihN3CQca?dl=0 |
Additional Information | Access Information : The audio files may be found at the link above. |
Award Date | Dec 11, 2020 |
Files
7 Selah (final with revisions).pdf
(6 Mb)
PDF
Version
Piece 7: Selah
6 Magnificat (final with revisions).pdf
(12.6 Mb)
PDF
Version
Piece 6: Magnificat
5 Meditari (final with revisions).pdf
(281 Kb)
PDF
Version
Piece 5: Meditari
4 Lux Aeterna Timeline (final with revisions).pdf
(60 Kb)
PDF
Version
Piece 4: Lux aeterna
3 La Création du monde (final with revisions).pdf
(12.3 Mb)
PDF
Version
Piece 3: La Création du monde
2 La Feu de le Pentecôte (final with revisions).pdf
(482 Kb)
PDF
Version
Piece 2: Le Feu de la Pentecôte
1 Triptych Meditation (final with revisions).pdf
(12.6 Mb)
PDF
Version
Piece 1: Triptych Meditation
Mattix PhD (final).pdf
(9 Mb)
PDF
Version
PhD Commentary
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