Prof Alan Williams' Outputs (6)

A space for making : collaborative composition as social participation (2021)
Journal Article
Hart, A., & Williams, A. (2021). A space for making : collaborative composition as social participation. Organised Sound, 26(2), 240-254. https://doi.org/10.1017/S1355771821000285

Music composition is traditionally regarded as an act of individual creation and expression, but can be approached, through the aid of digital platforms, as an activity which encourages learning through social participation. This article describes th... Read More about A space for making : collaborative composition as social participation.

Musical events and perceptual ecologies (2018)
Journal Article
Clarke, E., Williams, A., & Reynolds, D. (2018). Musical events and perceptual ecologies. Senses and Society, 13(3), 264-281. https://doi.org/10.1080/17458927.2018.1516023

This paper, followed by two responses, discusses the application of ecological theory to an understanding of a number of issues in the aesthetics of music. It argues for an understanding of music as based in event perception, with an expanded concept... Read More about Musical events and perceptual ecologies.

Projecting the voice: observations of audience behaviours in ICT-mediated contemporary opera (2014)
Journal Article
Lin, Y., & Williams, A. (2014). Projecting the voice: observations of audience behaviours in ICT-mediated contemporary opera. New Review of Hypermedia and Multimedia, 20(3), 207-223. https://doi.org/10.1080/13614568.2014.889224

This paper examines how audiences experience live opera performance and the behaviours they exhibit during live-streaming of the performance. It aims to contribute to our understanding of how audiences, who increasingly inhabit an environment saturat... Read More about Projecting the voice: observations of audience behaviours in ICT-mediated contemporary opera.

Projecting the voice : audience responses to ICT-mediated contemporary opera (2014)
Journal Article
Lin, Y., & Williams, A. (2014). Projecting the voice : audience responses to ICT-mediated contemporary opera. New Review of Hypermedia and Multimedia, 20(3), https://doi.org/10.1080/13614568.2014.889224

This paper examines how audiences experience live opera performance and the behaviours they exhibit during live-streaming of the performance. It aims to contribute to our understanding of how audiences, who increasingly inhabit an environment saturat... Read More about Projecting the voice : audience responses to ICT-mediated contemporary opera.

Budapest (heart) NY: The New Music Studio, 1971-1980 (2005)
Journal Article
Williams, A. (2005). Budapest (heart) NY: The New Music Studio, 1971-1980. Perspectives of new music, 43(1), 212-235

This article sets the New Music Studio, a group of radical composers including Laszlo Vidovszky, Zoltan Jeney, and Laszlo Sary in its cultural context, exploring the influence of John Cage, Fluxus and other US musicians and artists on the composition... Read More about Budapest (heart) NY: The New Music Studio, 1971-1980.

Chinese Joint Ventures & Implications for Design Management (2002)
Journal Article
Williams, A., & Zhang, X. (2002). Chinese Joint Ventures & Implications for Design Management. International journal of new product development & innovation management, 4(3), 213-230

Many Western and East Asian countries have found a 'haven' in China for those manufacturing industries losing their competitive edge. However, many western firms have lost millions trying to make in-roads into the sector. An increasingly confident br... Read More about Chinese Joint Ventures & Implications for Design Management.